A Quote by Michael Koryta

I think if you looked at the kind of ebb and flow of supernatural fiction and horror fiction, it does seem to be more popular in times when we're hammered over the head daily with threats from all angles, very real threats.
I think if you looked at the kind of ebb and flow of supernatural fiction and horror fiction, it does seem to be more popular in times when were hammered over the head daily with threats from all angles, very real threats.
The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.
There are real threats but there's a difference between recognizing real threats and an irrational kind of apocalyptic threat.
There are environmental threats to health; there are internal threats to health - genetic conditions, viral threats, diseases like cancer and Parkinson's. And then there are societal and global ones, like poverty and lack of nutrition. And unknown viral threats - everything from a new kind of influenza to hemorrhagic fever.
The threats against me are not only in Holland, but outside the country as well. We are talking about very serious threats on the part of different terror groups, and when you are aware of the extent of the threats, it's only human to think that something will indeed happen.
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
I'm very interested in film making. It's telling a story, fiction or non-fiction. I have been filmed quite a lot. Contrary to popular belief, filming isn't glamorous. It can be wearingly repetitious, as the same shot is taken over and over again.
I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction rather than making the blanket assumption that all commercial fiction is unworthy.
In some ways I spend longer at non-fiction because there are a lot of different threads to bring together. But non-fiction is more reflective than immersive. The problem with fiction sometimes is that you have to leave the real world to enter the fictional one. And that takes so much, goes into your head for so long?.?.?.?I don't know, I just feel less inclined toward that these days, and more inclined to remain in my own life. I do like really good fiction, but it's getting harder to hold my attention in a novel.
I can be very snobby about fiction, especially contemporary fiction. I can be kind of overly demanding, I think. But this is, I think, a good time. A lot of fiction comes out right now. So, I like reading the memoir. I love memoir, the biography, auto bio.
I had been very dismissive of popular fiction - in fact, I'd refused to read it. And then I started working on popular fiction, and I realised these books weren't the same as Hemingway, say, but they were good in a different way.
I've always thought of my writing as a spiritual practice. But I think that fiction is the most supernatural kind of writing that you can do - because of the ways that the real and the unreal weave together to create something that feels more true than anything.
I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction.
One thing that I really love about making records is that you can flow through fiction and non-fiction but, ultimately, everything's a commentary on real life in some way.
I think fiction can help us find everything. You know, I think that in fiction you can say things and in a way be truer than you can be in real life and truer than you can be in non-fiction. There's an accuracy to fiction that people don't really talk about - an emotional accuracy.
As women, we have to deal with constant threats of violence. And it's in our media and fiction, too. So we internalize it.
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