A Quote by Michael Laudrup
For me to be speaking of the referees, then you know it must be something big.
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I knew there were certain relationships that existed between referees and players, referees and coaches and referees and owners that influence the point spreads in games.
I get told off by my mum for being a bit rough on the pitch. I'm in the referee's ear a lot - referees probably hate me - but it's just part of my game. My mum tells me off for that as well; speaking to refs too much.
I don't know if referees look at me differently; you'd have to ask them. I hope everybody gets treated the same, but I know that it doesn't always happen.
The apocalypse is now! Americans know this, that the only hope is the flying saucers. Do you know how I see the world? Like a person who is dying. It's a worm who is dying to make a butterfly. We must not stop the worm from dying, we must help the worm to die to help the butterfly to be born. We need to dance with death. This world is dying, but very well. We will make a big, big enormous butterfly. You and I will be the first movements in the wings of the butterfly because we are speaking like this.
Communication always has a purpose. Before speaking, the first law is: you must know why you are talking. You must know what you are communicating for. What do you want?
Fifteen referees. I want fifteen referees to be at this fight because there ain't no one man who can keep up with the pace I'm gonna set except me. There's not a man alive who can whup me. I'm too fast. I'm too smart. I'm too pretty. I should be a postage stamp. That's the only way I'll ever get licked.
Castilian Spanish-speaking Spain is big, but is bigger in addition with Catalonian-speaking Spain, Galician-speaking Spain and Basque-speaking Spain. Democratic Spain, Constitutional Spain, can not be separated from diversity and the respect to the citizenship.
I must die. Must I then die lamenting? I must be put in chains. Must I then also lament? I must go into exile. Does any man then hinder me from going with smiles and cheerfulness and contentment?
Whenever a warrior decides to do something, he must go all the way, but he must take responsibility for what he does. No matter what he does, he must know first why he is doing it, and then he must proceed with his actions without having doubts or remorse about them.
A man calls a lawyer's office. The phone is answered, Schwartz, Schwartz, Schwartz and Schwartz. The man says, Let me talk to Mr. Schwartz. I'm sorry, he's on vacation. Then let me talk to Mr. Schwartz. He's on a big case, not available for a week. Then let me talk to Mr. Schwartz. He's playing golf today. Okay, then, let me talk to Mr. Schwartz. Speaking.
Even as they are now pointing to God and praising God for that victory, something terrible happens; there's a demonic spirit now that referees, and the officials, and they say Oh did you see that? He just referred to God. We need to stop that and we need to disqualify them! And they're punished for their righteousness by the demonic spirit that's inside the referees.
I'm on the record for five losses or something like that, but the one guy who really whipped me was Muhammad Ali. And it taught me one big lesson. That no matter how big and strong you are, you're going to have to use your mind. You must think things out.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
Referees need help. Players are getting faster and fitter and too many referees are making decisions from behind the play. They see a tangle of legs, they are asked to make a decision with one, often obscured look at high speed.
People talk about the speed of the English game, but in Italy, referees blow their whistles very often, so you cannot build up speed. In England, referees wave play on, and so it becomes faster.
I find that, for me, it is this concept of borrowed or built life, life on loan, that gets me writing. It's similar to speaking about literature. I like it, and then I don't like it. It has such an inherent vein of pretention, because you're not speaking about real things. There's a literary pretentiousness made of speaking and spending so much time on unreal persons. And it seems, now, impossible to create an unpretentious, totally organic character.
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