A Quote by Michael Leunig

In some ways, calm bodily protest has a nakedness to it that may be deeply embarrassing for observers; an act not unlike the bare-faced Oliver Twist effrontery that stands vulnerably before authority, asking for more or better.
In some ways we describe 'Boxtrolls' as 'Oliver Twist' if Terry Gilliam had made it. I think he's an extraordinary artist, and animator.
Oliver Twist has asked for more!
My grandpa always said asking a question is embarrassing for a moment, but not asking is embarrassing for a lifetime.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
I spin around on the swivel chair and look up at the ceiling; Oliver being Oliver being Oliver being Oliver. I am suddenly aware of the separation between my-actual-self and myself-as-seen-by-others. Who would win in an arm wrestle? Who is better-looking? Who has the higher IQ?
I remember doing my first school play. We were doing 'Oliver Twist,' and I was cast as Oliver. It was the first time I ever felt brave and confident and truly happy about something.
I auditioned for a community theater-slash-professional production of Oliver Twist in Union City when I was 11 because my cousin wanted to be an actor and I was visiting her and it seemed like fun. I was Oliver. I hadn't had any training, I was just a cute kid. There was an agent in the audience.
The fearful danger of the present time is that above the cry for authority, we forget that man stands alone before the ultimate authority, and that anyone who lays violent hands on man here, is infringing eternal laws, and taking upon himself superhuman authority, which will eventually crush him.
A servant of the Lord stands bodily before men, but mentally he is knocking at the gates of heaven with prayer.
It's very embarrassing to talk of your own work before shooting for it and even before it is released. I have been a witness to many of our actors turning red-faced after their films release. I'd rather not be there.
Over the pope as expression of the binding claim of ecclesiastical authority, there stands one's own conscience which must be obeyed before all else, even if necessary against the requirement of ecclesiastical authority.
I'd heard rumors about Oliver Stone before we went to work on and I don't get it. To me, he's one of the most sensitive directors. He is just fascinated by why people act in the ways that they do. His movies are an excuse to explore that idea, and he wants to work with people who are as passionate about exploring it as he is. So we got along brilliantly.
For some people, being bare-faced is wonderful. Others like a little bit of mascara and eyeliner.
The Judas of the West has closed the contract and will receive the thirty pieces of silver. . . . Was there ever witnessed such a bare faced corruption in any country before?
I stand ready to negotiate, but I want no part of laws: I acknowledge none; I protest against every order with which some authority may feel pleased on the basis of some alleged necessity to over-rule my free will. Laws: We know what they are, and what they are worth! They are spider webs for the rich and mighty, steel chains for the poor and weak, fishing nets in the hands of government.
Can we reasonably expect happiness from an insatiable appetite which, no matter how it stuffs its belly, is still psychologically like Oliver Twist in the poorhouse, holding up an empty bowl and begging, "I want some more"? Isn't it possible that our dream of the good society contained, from the beginning, a hidden violation of the Tenth Commandment "Thou shalt not covet thy neighbor's goods"?
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