A Quote by Michael Leunig

In the modern world, it may be that a living father can only be half a father to a boy - the dead father is the other vital half: the half that grows the boy up once and for all.
Because I was the only child, I was completely indulged. My father thought I was the best looking boy. And even though I was at 100 kgs., he dismissed it as puppy fat. He thought that the sun came out of my head. If I got five out of ten marks, he thought I was half there and had only half way more to go.
I got about half the time I wanted to write poetry. I got about half the time I needed to be a father. So there is something in adulthood that has to do with accepting the half of things, allowing a renunciation of the other half, accepting half a basket instead of a full basket.
When I was young I was one of the second generation of black people in Holland. My father was the first. My mother was white, and living with a black man at that time and having a how-you-say half-caste boy is not easy.
I see myself as half country boy and half city boy, so I need both to balance me out. I couldn't spend all of my time in either place.
It seems that once you achieve something large, the target on your back grows. But I always want to look at life as the glass is half full versus half empty. My father taught me this at an early age - that God is faithful (Romans 8:28), and that in the midst of hardship or attack, God has your back.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
I'm half-Chinese and half-Caucasian. My grandparents came here from China. My father was born in New Jersey.
When people tell me that I must get my maverick gene from my father, they are only half right. My father and I both have inherited our rebellious personalities from Nana. She has always lived her life on her own terms, something that was once considered quite scandalous, given the times she grew up in.
My mother was born on February 8, 1944, in Lucknow, India. Her father, Albert, was half-Indian and half-Portuguese.
My mother thought of my father as half barbarian and half blunt instrument, and she isolated him from his children.
The inspired moment may sometimes be described as a kind of hallucinatory state of mind: one half of the personality emotes and dictates while the other half listens and notates. The half that listens has better look the other way, had better simulate a half attention only, for the half that dictates is easily disgruntled and avenges itself for too close inspection by fading entirely away.
I was born and brought up in South Mumbai. My father, Jagdeep, is a businessman and a Sindhi. My mother is half Brit and half Muslim. I am thus a cocktail of mixed blood. From the time I remember, I wanted to be an actress.
I have wrought my simple plan If I give one hour of joy To the boy who’s half a man, Or the man who’s half a boy.
Every boy was supposed to come into the world equipped with a father whose prime function was to be our father and show us how tobe men. He can escape us, but we can never escape him. Present or absent, dead or alive, real or imagined, our father is the main man in our masculinity.
My father is Chinese, Spanish, and Filipino; my mother is half-Irish and half-Japanese; Greek last name; born in Hawaii, raised in Germany.
Living out one's faith is either no way to live or the only way to live; it's either imprisonment, or the only path to freedom. It offers happiness, or it frustrates the pursuit. There is no half-love, half-religion, half-worship, half-belief, half-truth. There is no kinda-sorta.
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