A Quote by Michael Leunig
I have always loved contemporary dance, but it has always been a bit of a mystery to me. But choreography is very much like what I do when you are putting characters in frame on the page. It's so impressive what they do with their bodies. It's like painting: an abstraction.
Quote Topics
Quote Author
Related Quotes
I think I'm just generally more interested in figuration than abstraction. I think that painting abstraction often feels like painting colors to me, whereas portraits always feel like something connected. I like the exchange, the collaborative aspect of sitter and subject for sure.
I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.
Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.
Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.
Directing a movie is a little bit like being back in student government and putting on the homecoming dance. You're like, 'You put up the streamers, and you hire the DJ, and you get the punch bowl.' Some people are just like, 'This dance sucks.' And you're like, 'No no, this dance is awesome!' You have to be really positive.
Place and displacement have always been central for me. A type of insecurity goes with that: you are always following the cues, like learning the dance steps when the dance is already under way.
I was a dancer, so I always loved watching girls perform and dance and just always looked up to them and their bodies.
Garry Shandling has always been a pioneer of… meta entertainment. He's always been a defender of the creative right to use the frame as part of the painting.
I'd never really shot action scenes before, but I realized early on that is very much like shooting choreography and dance.
I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.
I like solitude. I'm very good at being disconnected. I do a lot of disappearing. People who know me go, 'Oh yeah, Mailman, she's gone into her cave again.' I'm like that, a bit of a hibernating bear. Like that crocodile that just sits there in the water and doesn't do much. I was always a bit of a dreamer as a kid, so that hasn't changed.
I always loved to dance and move. I probably should have been a mime or something like that.
I have been interested in the dialogue of abstraction and modernist painting - and the rich history of the grid. I also think I have been influenced a bit by some of the particular qualities of the Bay Area. The weather and the atmosphere here is so exotic, like the fog rolling in and the nuanced differences in the quality of light.
To me, music's something I can dance to or listen to. To write about it is always more of what the music represents, or what it reflects. Like an ideal song, to me, is a song that you can dance to, that summons up some darker and greater mystery.
Human beings are like detectives. They love a mystery. They love going where the mystery pulls them. What we don't like is a mystery that's solved completely. It's a letdown. It always seems less than what we imagined when the mystery was present. The last scene in `Blow Up' is so perfect because you leave the theater still dreaming. Or the end of `Chinatown,' where the guy says `Forget it, Jake, it's Chinatown.' It explains so much but it only gives you a dream of a bigger mystery. Like life. For me, I want to solve certain things but leave some room to dream.
I feel like I've always been in love with dance. When I was little kid I would always be the one who would be like, okay let's make up some dance routines.
Related Authors
Adrian Tomine Quotes
American
Cartoonist
Alison Bechdel Quotes
American
Cartoonist
Bill Watterson Quotes
American
Cartoonist
Bryan Lee O'Malley Quotes
Canadian
Cartoonist
Cathy Guisewite Quotes
American
Cartoonist
Charles M. Schulz Quotes
American
Cartoonist
Chester Brown Quotes
Canadian
Cartoonist
Gary Larson Quotes
American
Cartoonist
Jack Kirby Quotes
American
Cartoonist
Lynda Barry Quotes
American
Cartoonist
Matt Groening Quotes
American
Cartoonist
Randall Munroe Quotes
American
Cartoonist
Roz Chast Quotes
American
Cartoonist
Scott Adams Quotes
American
Cartoonist
Seth Quotes
Canadian
Cartoonist
Seth MacFarlane Quotes
American
Cartoonist