A Quote by Michael Lewis
I was really interested in a pretty simple thing: what happens when someone tries to introduce moral considerations into Wall Street, what happens when someone wants to actually demand of himself and those who work with him that what they do is not just profitable but good and useful.
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Our feelings alone don't change what happens with the police, what happens in jail, what happens when someone tries to go to the welfare office, the unemployment office, or any kind of state agency where a criminal record comes up for prostitution. How we feel about the commodification of sexuality and violence doesn't actually translate to those people's lives. A lot of the debate is really academic and a waste of time.
If something seems possible, that's probably because someone is already doing it. When something seems that it can't possibly work, nobody tries it. Real innovation happens when someone tries anyway, overlooking an obvious flaw, and finds a way to make an idea work.
I heard governor Romney here called me an economic lightweight because I wasn't a Wall Street financier like he was. Do you really believe this country wants to elect a Wall Street financier as the president of the United States? Do you think that's the experience that we need? Someone who's going to take and look after as he did his friends on Wall Street and bail them out at the expense of Main Street America.
I'd like to introduce someone who has just come into my life. I've admired him for 35 years. He's someone who represents integrity, honesty, art, and on top of that stuff I'm actually sleeping with him.
I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.
One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill.
One thing I think is true is that is you have someone who's really good in one or a few areas they can pick up something new pretty quickly and that's kind of a hallmark of someone you really want to hire because they can be very useful in a whole bunch of different areas.
I've never been on Wall Street. And I care about Wall Street for one reason and one reason only because what happens on Wall Street matters to Main Street.
In a safe Western world where we're not being shot at and we're not starving, the worst thing that happens to us most days is someone's rude to us, or we accidentally insult someone. Social faux pas is the worst thing that happens to most people, most days, so we've got to concentrate on that, really.
Learning happens when someone wants to learn, not when someone wants to teach.
That's the one thing I don't like hearing, when someone says, 'We'll see what happens, see what happens here, see what happens there.' Forget all of that.
I love Mike Tyson. I was a fan, as everybody else was. The moment somebody stood up to him, he didn't do so well. And that's the same thing with Anthony Johnson. The guy's a bully. He wants to intimidate you; he wants to dominate you. He wants to knock you out. But what happens when you don't knock somebody out? What happens?
I'm interested in how small the world really is, and this notion that what happens in one place affects someone else.
I think it's quite painfully obvious when someone's practicing through an amp, as opposed to someone who's really laying down some stuff that just happens to be fast.
There's shorthand that happens when you work with someone you know where you can almost finish each other's sentences. There's just a certain back and forth that becomes much easier with someone you've worked with for so long.
Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.
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