A Quote by Michael Lewis

The world clings to its old mental picture of the stock market because it’s comforting; because it’s so hard to draw a picture of what has replaced it; and because the few people able to draw it for you have no interest in doing so.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.
Because of the standing in society, because women's basketball does not draw the interest that major professional sports leagues or men's college basketball draw, Geno Auriemma is never going to be recited by the sports fan at-large as the greatest coach in history.
Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If in your bold creative way you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe.
I feel I'm such a big part of that insecurity that some girls might have because of my job, that girls think they have to be that picture. And even boys, they think that that picture exists, and it's so frustrating because I don't look like that picture - I wake up not looking like that picture.
I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.
Every time I start a picture ... I feel the same fear, the same self-doubts . . . and I have only one source on which I can draw, because it comes from within me.
I am a one-trick pony. If you tell most people to draw a picture of a tree, they'd draw 35 branches and 10,000 leaves. I will draw you a tree with four branches and three leaves, and I'll spend the rest of the week drawing inside of each leaf. In terms of the grand gesture, I reserve that maximum turbo blast energy for what I do as an artist, and I sing and dance for dinner.
My mom always said that she didn't wear a red nose and big shoes because that's the reason people are scared of clowns. My dad is a sociology teacher, so he probably figured that out with her. Those are the things that are exaggerated, that don't give off the signals of humans. You know, if you draw a picture of a circle and ask somebody to feel empathy with the circle, they won't. But if you draw literally two, three dots inside the circle, like two eyes and a nose, you immediately feel empathy.
A psychiatrist once asked me to draw a picture of my family. This is when I was a member of a family of four. I drew the three other people in the family first, bodies and heads. And then, last, I began to draw myself - but gave up.
Our perceiving self is nowhere to be found in the world-picture, because it itself is the world-picture.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
Some people look at a picture for thirty seconds, some for years. It doesn't really matter because a picture is like life. You take out of life as much as you are able to take out of life, just as you take out of a picture as much as you can take out of a picture.
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