A Quote by Michael Lewis
Book tours are almost designed to beat out of an author any affection he has for his book.
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No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
I think it's crazy, crazy that book tours lose so much money. They shouldn't. Book tours should be part of what keeps independent bookstores vibrant and profitable.
I don't have a favorite author; I have favorite books. 'Moby Dick' is a favorite book, but Melville was a drunk who beat his wife. 'Moveable Feast' by Hemingway, but I would not like him personally. He was a stupid macho person who believed in shooting animals for fun, but that book was incredible!
The first book was out and for the first time we were on a book tour. Being the son of an immigrant, I'd never dreamt of being on book tours. Suddenly the attention was huge.
An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.
My personal telephone book is a book of the dead now. I'm so old. Almost all of my friends have died, and I don't have the guts to take their names out of the book.
Reading a book should be a conversation between you and the author. Presumably he knows more about the subject than you do; if not, you probably should not be bothering with his book. But understanding is a two-way operation; the learner has to question himself and question the teacher, once he understands what the teacher is saying. Marking a book is literally an expression of your differences or your agreements with the author. It is the highest respect you can pay him.
The royalty any author gets is dependent on his track record and marketability and often on the price of his book, too. The higher you price a book, the more comfortable your publisher will be in paying you a higher royalty.
Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.
"The best is oftentimes the enemy of the good;" and without claiming for an instant that title of good for my book, I do not doubt that many a good book has remained unwritten, or, perhaps, being written, has remained unpublished, because there floated before the mind's eye of the author, or possible author, the ideal of a better or a best, which has put him out of all conceit with his good.
Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author.
Shorter work - personal essays and book reviews - allow me to take a break from working on a book, which is good for the book and for its author.
There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately.
Libraries are my passion in life. Before I became mayor (of Los Angeles), I used to sneak out here during lunchtime...and I'd go to a corner and take a book-any book almost-and read it for a while, and then feel rejuvenated.
I maintain that any writer of a book is fully authorised in attaching any meaning he likes to a word or phrase he intends to use. If I find an author saying, at the beginning of his book, "Let it be understood that by the word 'black' I shall always mean 'white,' and by the word 'white' I shall always mean 'black,'" I meekly accept his ruling, however injudicious I think it.
A presentation copy...is a copy of a book whoch does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours, which does not sell, in return.
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