A Quote by Michael Longley
I was the first Arts Council official in the archipelago to do something for what you might call indigenous music.
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I didn't have any Indigenous friends until I was in my 30s, and I'll always remember and be inspired by the remarkable friendship I had with Connie Bush, an outstanding Indigenous leader from Groot Eylandt on who was on the National Women's Advisory Council with me.
Being from a background of dance music and what you might call club music or electronic music, I think something that gets neglected in that scene is personal vulnerability.
We have reached a pivotal time in Indigenous affairs when for the first time, national attention is being paid to the horror of Indigenous family violence in this country. For the first time, an Australian Prime Minister has held a summit in the national capital to listen to concerns and ideas on this issue from a group of Indigenous leaders.
We're under the Arts Council under the Minister for the Arts. The Minister for the Arts and the Minister for Industrial Development have great difficulty in agreeing over who should fund what in terms of film.
Dancing and building are the two primary and essential arts. The art of dancing stands at the source of all the arts that expressthemselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite. Music, acting, poetry proceed in the one mighty stream; sculpture, painting, all the arts of design, in the other. There is no primary art outside these two arts, for their origin is far earlier than man himself; and dancing came first.
At the center of everything we call 'the arts,' and children call 'play,' is something which seems somehow alive.
I was scheduled to give my first official press conference that morning anyway, 'cause I was chairman of the Governors Energy Council and I was making a press conference with regard to energy policy.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
You figure out how to create opportunities to make music, and then, if you take care of the music, audiences will come around. They also might leave. What matters is the moment: the moment of making music, with and for and among others, and what that offers to those people in that moment. They might never see me again; they might never learn my name. But it might still be something they carry with them.
Music in a movie might tell you about longing. It might tell you about fear. It might tell you any number of things, but it tells you something different. Something happy might be going on, but there can be this little sad tinge underneath that tells you something.
The thing we often forget to talk about, or perhaps we take for granted, is our country’s dazzling beauty. Our natural environment is so much a part of Australia’s art, writing, music and culture, both indigenous and non indigenous.
The thing we often forget to talk about, or perhaps we take for granted, is our country's dazzling beauty. Our natural environment is so much a part of Australia's art, writing, music and culture, both indigenous and non indigenous.
I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.
The ultimate aim of the CFR (Council on Foreign Relations) is to create a one-world socialist system, and to make the U.S. an official part of it.
What I've really liked doing is combining what you might call art criticism or music criticism with something that is happening in real life.
The Arts Council of England, in a 1998 report on 11 countries, found that Germany spent $85 per capita on the arts. The United States spent a shocking $6. And Canada, in its stubborn balance, spent $46... It's the Canadian way to be halfway between the Old and New worlds.
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