A Quote by Michael Mandelbaum

Societies raise their grandest monuments to what their cultures value most highly. As the tallest buildings in a city noted for tall buildings, the Twin Towers of the World Trade Center were certainly monumental.
Certainly, in the story of my life, the walk between the Twin Towers was one of the grandest, one of the most memorable, but not solely the grandest and the most memorable.
I don't think all buildings have to be iconic, but the history of the world has shown us that cultures build iconic buildings for their major public buildings.
The truth is I don't really know where my own interest in tall buildings really comes from. It cannot come from my hometown because there were no tall buildings there!
I feel this way about it. World trade means world peace and consequently the World Trade Center buildings in New York ... had a bigger purpose than just to provide room for tenants. The World Trade Center is a living symbol of man's dedication to world peace ... beyond the compelling need to make this a monument to world peace, the World Trade Center should, because of its importance, become a representation of man's belief in humanity, his need for individual dignity, his beliefs in the cooperation of men, and through cooperation, his ability to find greatness.
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Skill is successfully walking a tightrope between the twin towers of New York's World Trade Center. Intelligence is not trying.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
I consider part of lower Manhattan to be hallowed ground. Nearly 3,000 people lost their lives in the World Trade Center towers... and for that reason alone, our nation should make absolutely sure that what gets built on 'Ground Zero' is an inspiring tribute to all who loved the Twin Towers, worked in them, and died there.
I consider part of lower Manhattan to be hallowed ground. Nearly 3,000 people lost their lives in the World Trade Center towers... and for that reason alone, our nation should make absolutely sure that what gets built on Ground Zero is an inspiring tribute to all who loved the Twin Towers, worked in them, and died there.
The same architect who designed the Seattle fair's futuristic Science Center, with its lacy Gothic arches and spires, Minoru Yamasaki, was hired to design the twin towers of the World Trade Center. Seattle had promised fairgoers a glimpse of the world that would exist in 2001. That year eventually unfolded as something less than the dream we'd imagined.
I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
We wanted a world that looked like our world. In the original 'Flintstones,' low flat buildings filled the city and suburbs. Now, high-rise buildings and apartments exist next to the family neighborhoods. Part of the 'Flintstone' fun remains its parallel of our world.
A city, far from being a cluster of buildings, is actually a sequence of spaces enclosed and defined by buildings.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
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