A Quote by Michael Marisi Ornstein

When I get a script and do my work, and then show up on set and work, it's the same zone that I'm in when I'm in front of a canvas, or when I'm writing a story about one of my paintings, or when I'm playing music. Whatever I'm doing at any given time, it's the same exact zone.
There's something about the energy and the expectations that an audience projects at you. I get up on stage and work and work, and there's chaos all around me, then I'll shut my eyes, and boom! I slot into the zone. It's like the eye of the hurricane. Everything is easy, and I'm capable of doing things I didn't know I was.
I was reading an article in the 'New York Times;' it talked about being in the zone, and being in the zone you're so focused that time ceases to exist. It's when you think, 'Oh, I've been doing this for five hours and didn't even know it.' It's the difference between hard work and going, '12 o'clock, not moving.'
Leaders should get out of their comfort zone but stay in their strength zone. When their work lies within their natural gifting and strengths, leaders experience the greatest return in productivity and contentment. Life is too short to live in the comfort zone, where growing and accomplishing and achieving your potential takes a back seat. I suggest you refocus if the comfort zone is your leadership priority.
I was in the middle of filming Season 3 of 'Grace and Frankie.' Then the writing process for 'Mystery Science Theater 3000' was happening at the exact same time. And then the pre-production for 'Fatherless' was happening at the exact same time as well.
Live your passion. What does that mean, anyway? It means that when you get up for work every morning, every single morning, you are pumped because you get to talk about or work with or do the thing that interests you the most in the world. You don’t live for vacations because you don’t need a break from what you’re doing—working, playing, and relaxing are one and the same. You don’t even pay attention to how many hours you’re working because to you, it’s not really work. You’re making money, but you’d do whatever it is you’re doing for free.
I do need to find inner tranquillity and get into a "zone" before I switch on the computer to work on a story. Only after this do I enter the story world, where I meet the characters and, together, we work through the day and night.
I'm not doing anything intentionally to stay in the public eye. I'm staying true to my art, like I always have. The press, for whatever reason, decided to zone in on what is very common banter for me. It got worked out through song - the same way I work everything out.
I'm still learning. It's all a learning curve. Every time you sit down, with any given episode of any given show, it is a learning curve. You're learning something new about how to tell a story. But then, I've felt that way about everything I've ever done - television, features or whatever. Directing or writing, it always feels like the first day of school to me.
I work with a bunch of producers on every album, but the difference for 'Evolver' was that I couldn't get any time with Kanye. I forget what he was doing at the time, but he was all over the place. We were never at the same city at the same time.
I hate being called lazy, so when everybody gets up at half seven in the morning, I'm up at the same time. Everyone goes to work and I'll do a few hours of writing, then I'll mess about for a bit and come back to it. By the time I go home I'm done. I think it's really good to keep that kind of a routine with writing. I find that when I don't do that, it's really hard to get back into that headspace of writing.
If you have faith, then your whole life is put in a new perspective. You get to work but enjoy the work at the same time. If you grow spiritually, you do what's in front of you and let the results speak for themselves.
When I get bored, I'll zone out, and I'll just sit in front of my computer and start writing any random song that comes to mind.
If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.
But definitely I was in the zone in the match today. I was still thinking it's the final and I knew the emotions. It's a little bit like Fed Cup when I'm playing in the Czech Republic and I feel the crowd. My stomach is a little bit funny - it's just goosebumps. But when I won the first set, I said to myself, 'Okay, I still have to do the same work.' I was worried I couldn't do it for the whole match, but I did it.
My routine prior to a big game is the same for any other match. Eat, sleep, chat with teammates during the day, and then, as the match draws near, I listen to my music on the trip to the stadium and zone in.
If there was one thing I tried to instil in my children as they were growing up, it was that you get nothing for nothing. You have to work hard to get any rewards. That applies in music or whatever you choose to do. The same goes in relationships; you will only get back what you put in.
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