A Quote by Michael Marisi Ornstein
I love being presented a character that boggles my mind. I have to do a lot of work and explore how I can make the guy absolutely real and absolutely believable to myself. And then, I go to work on doing that for other people.
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I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.
It [motherhood] has changed absolutely everything. I mean, it's changed my life. I think I've changed as a human being more since I've had Kai than in any other period in my life...It's such an incredible catalyst for growth. I found myself questioning absolutely everything: how I spend my time, how I speak, what kind of projects I work on, how I look at the world.
You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.
To me, the psychology behind the character is critical. So I work very hard to get into the mind of the man that I'm going to be playing, because number one, I want to understand why he's doing what he's doing. It's essential, it's absolutely essential.
I value so many people who have to work full time, definitely single mothers. Their work is the hardest work. I applaud it so much. I absolutely love being a mother. I love his milestones. I love his smile. I love that he's talking and making sentences and telling me he loves me. It's amazing.
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
People in the U.K. absolutely love my character in 'Downton,' and in equal measure, people absolutely hate him, and that's all I wanted.
I had to work a lot. I was doing YouTube videos, but I wasn't getting a lot of love. How do I make a living off rapping when no one knows me? I got kind of discouraged. But hard work shuts people up.
What I do is to collaborate with each actor and work one-on-one to create a character. And that is a matter of huge complexity and is a combination of a great deal of discussion and a lot of practical work. It involves a lot of consideration for the real people out there, and all kinds of sources of real people. The result is the character. But I'm not supposed to talk about what it is we do, because it's nobody's business.
I had to do a lot of work and allow myself to go places that were a little scary. You know when you play a guy like that it allows you the freedom to explore really weird parts about you. And it's OK. In order to really get it, I've got to allow myself to go there.
I wasn't a huge fan of the comic book, but I definitely was of the cartoon series. I wasn't much for sitting around and reading as a kid, I preferred to be outside running around and playing sports, but I was absolutely thrilled to get the role of Colossus. I don't think I realised how popular the character was until I got the role and started doing some research; it was then that I really fell in love with the character of Colossus myself.
There's no secret it's hard work. Even though Brian's the love of my life, and he's absolutely adorable, it's not easy, and we have to work at it. But because we love each other and keep working at it, it pays off.
'Tiger King.' They are absolutely gone with the fairies, they're all absolutely raving out of the box, the lot of them. All those people with animals like tigers, who've got their own zoos in America, and one guy's got something like 2,000 tigers in his back garden. It's absolutely mad.
People will like you who never met you, they think you're absolutely wonderful; and then people also will hate you, for reasons that have nothing to do with any real experience with you. People don't want to lose their enemies. We have favorite enemies, people we love to hate and we hate to love. If they do something good, we don't like it. I found myself doing that with Ronald Reagan. He is anathema to me. If he does something that's reasonable, I find my mind trying to find some way to interpret it so that it's not reasonable, so that somewhere it's jingoist extremism.
Whether I build a character from the ground up or develop one, whether within my own copyright or in licensed work, I can step into that character's mind. It takes a kind of voluntary dissociation akin to method acting, military planning, marketing, or detective work: to think like the other guy and work out what he's going to do next.
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