A Quote by Michael McElhatton

The Red Wedding was an amazing experience I'll never forget. We rehearsed it like a play over one whole day, and then shot it over five days. — © Michael McElhatton
The Red Wedding was an amazing experience I'll never forget. We rehearsed it like a play over one whole day, and then shot it over five days.
We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.
Sometimes you have a bad day, and you're like, 'I'm over this, and I just want to play tennis,' or do another sport that doesn't require any other variables, but then you have a good day, and it's like, it's amazing, and the success makes up for it.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
...Nameless, unknown to me as you were, I couldn't forget your voice!' 'For how long?' 'O - ever so long. Days and days.' 'Days and days! Only days and days? O, the heart of a man! Days and days!' 'But, my dear madam, I had not known you more than a day or two. It was not a full-blown love - it was the merest bud - red, fresh, vivid, but small. It was a colossal passion in embryo. It never returned.
I'd go on runs [on cocaine ], four and five days without sleep. Then I'd crash and sleep about 18 hours a day for seven to ten days. Then it would take a few more weeks to get over a vague sort of depression. Then I'd be off on another run.
You're like my favorite song, Nova. The one that I never want to forget. That I want to play over and over again.
From my experience in my country, America over and over again takes itself right to the brink, it puts one foot over but it never goes over. It wakes up at the last minute and says woah, and then pulls back...
I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.
I know a planet where there is a certain red-faced gentleman. He has never smelled a flower. He has never looked at a star. He has never loved any one. He has never done anything in his life but add up figures. And all day he says over and over, just like you: 'I am busy with matters of consequence!' And that makes him swell up with pride. But he is not a man - he is a mushroom!
What Metallica always tries to do, as we go around and play a lot of the same cities, over and over again, year after year, is to give a different experience. We try to never play the same venues, or if we play indoors, we'll play outdoors, and all that type of stuff. It's always about just trying to do a different kind of experience.
The death, and the burial, and the resurrection of Jesus happened over three days. Friday was the day of suffering and pain and agony. Saturday was the day of doubt and confusion and misery. But Easter, that Sunday, was the day of hope and joy and victory. You will face these three days over and over and over in your lifetime. And when you do, you’ll find yourself asking, as I did, three fundamental questions: Number one, what do I do in my days of pain? Two, how do I get through my days of doubt and confusion? Three, how do I get to the days of joy and victory? The answer is Easter.
Despite explaining that it's just a mechanical process, my husband, Sanjay, would initially ask whether an intimate shot was very necessary. I invited him over to the sets when I shot those scenes, but he never came over. I admit that there have been fights over this issue too.
You go to work, tape five shows in one day and then go home and play golf for the rest of the week and then start the week all over. I thought if something like that came along, I'd love to do that.
I live in New York. I have an amazing apartment over there; I have this amazing life over there that's full of glamour. I get treated like a queen over there - and that's one of the reasons I love coming home. It's very grounding.
This site uses cookies to ensure you get the best experience. More info...
Got it!