A Quote by Michael McElhatton

That's what you want to do as an actor and as an artist: move an audience. — © Michael McElhatton
That's what you want to do as an actor and as an artist: move an audience.
Once something gets noticed and people love you, most of the makers want to put you in the same bracket, feeling this is what the audience would want from an actor. But as an artist, I don't want to be in that space.
Having a live audience makes a world of difference to the acting. It keeps your timing sharp. When something doesn't work, the actor can sense the reaction from the audience and quickly move on.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
The audience has changed. People want something different, they want variety. As an actor, we also seek variations in characters. That's the only way an actor matures.
The audience is the camera. I don't want the audience to sit and watch, I want it to move.
From my standpoint, being an artist, I want to see what the new construction is between artist and audience.
As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.
I am an artist. An actor performs, whether it's in front of the camera or a live audience.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
The audience makes the decision of what kind of actor they want to watch. I always have said in the last 20 years, the real boss is the audience.
I love acting. It's way different from singing, but I like really put my ten thousand hours in to be really good. I want to be a premier actor. I want Oscars, I want recognition, and I want to move people just as much as I move people with my music, the same with my acting.
I don't want to just be an actor my whole life. I mean I do want to be an actor my whole life but not only an actor, I want to be an artist.
The audience basically likes complex characters, and bringing out the complexities is the actor's job. The audience doesn't have the script, the actor does.
If the audience knows what's behind the door and the actor does not, that's comedy. If both the audience and the actor do not know, that's mystery!
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
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