A Quote by Michael McIntyre

Given this voice, I know it does sound like I've come from money. But my dad was Canadian and my mum Hungarian, so it's not like I have some high-society, upper-class English background.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
I always remember my mum and dad arguing a lot and one main reason was lack of money. I realized very young that I always wanted to make money so I'd never have the same arguments like my mum and dad.
I've come from a working class background in South Wales with eight of us in a three bedroom house. Four boys in one bed, two sisters in the other bedroom and mum and dad in the box room.
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
On my mother's side, I'm English, so that's where the freckles come from. On my father's side, I'm German, and he has the fantastic olive hues... I was given mum's skin, whereas my brothers and sisters were given my dad's skin. I do tan up quite well, but it takes me a bit longer.
In the West, it's just a given that art exists in this high-class place. But in Japan, there's no high class. The minute you come out, you're low class.
I'm from a salt-of-the-earth, working-class, northern background. My dad's a steelworker and a firefighter, and my mum is a secretary for the NHS.
I got extreme street credibility from my high school-aged son. He's like, 'Dad, the fact that you're in 'American Horror Story' is absolutely cool!' I was like, 'Okay, but I'm not sure if it's appropriate for you.' And he was like, 'Dad, come on! I'm a New York City kid - in high school.'
The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.
Does sound have rhythm? Does it rise and fall like the ocean? Does sound come and go like wind?
My father was a black, working-class man who arrived here with no money in his pocket from Nigeria; my mum came from more of a middle-class background, whose father had prosecuted the Nazis at Nuremberg.
You can be a French Canadian or an English Canadian, but not a Canadian. We know how to live without an identity, and this is one of our marvellous resources.
If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
It does cost a lot of money to make high-quality TV in exotic locations. I know everyone thinks we've been given a massive sack full of money and gone off and bought Lamborghinis and gone off for lunch, but it isn't actually like that.
I have a high range. Sometimes I sound like Stevie Winwood. Some people say I sound like Peter Gabriel. Some of the songs I write are funky. Others are slow. Some are ponderous, and some are there to shock. I must say some are pretty damn good, too.
The decisive moment in the defeat of upper class, capital-S, Society may have come when, in newspapers all over the nation, what used to be call the Society page was replaced by the Style section.
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