A Quote by Michael McKean

Some of the most interesting characters in literature and in movies and TV have been ones that you can't quite figure out all the way. — © Michael McKean
Some of the most interesting characters in literature and in movies and TV have been ones that you can't quite figure out all the way.
I would much rather read a book about Ty Cobb, who was quite possibly a sociopath. It makes for more interesting copy. Some of the most memorable characters in literature were villains.
Sometimes, the smaller roles in movies can be the most interesting. If you only take the stance that you'll only play central characters in movies, you'll find yourself not being able to indulge in that morally grey terrain that makes support characters so rich and interesting.
I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.
I suppose everybody does get attached to characters whether in movies or in stories, but I think that's part of the reason you get involved with literature is because there's somebody that grabs you about it and then you want to figure out why.
I've been lucky and have played some interesting characters - I'd quite like to play Sweeny Todd.
I've done every imaginable job possible out there - movies, TV, animation, TV movies... and, at this point, almost reality, it seems. It's been a real blessing. It's been a great ride.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.
By the way, the Harry Potter series is literature, in spite of what some people might say. The way J.K. Rowling worked that world out is quite something.
To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.
I have had quite an interesting life. My husband was quite successful in the movies, and we went out frequently with Gloria Swanson and other stars.
Both TV and movies seem to be produced in a more similar way as time goes on. It used to be that movies were much bigger productions on every level and took much longer to shoot. I liked that. But with the advent of digital, everything can be done much quicker and cheaper, and that seems to be the goal of most movies and TV these days.
One of my favorite experiences in my career, certainly one of the most interesting characters I've ever played, was Simon Lee on 'The Event.' That was a show I was quite proud of and a character I really enjoyed playing. It was one of the most three-dimensional characters that was ever written for me and that I'd ever gotten to play.
Research sometimes feels like an ongoing TV series in which some amazing revelations have already been made, but there are still plenty of cliff-hangers and unresolved plotlines that you want to see resolved. But unlike TV, we have to do the work ourselves to figure out what happens next.
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