A Quote by Michael McKean

I like working with Bob Odenkirk. — © Michael McKean
I like working with Bob Odenkirk.

Quote Topics

I think Bob Odenkirk is phenomenal.
I've been a fan of Bob Odenkirk since he was on HBO originally with 'Mr. Show.'
'Better Call Saul' happens in the same universe as 'Breaking Bad,' and we have the same writers and mostly the same crew. Like 'Breaking Bad,' it is a transformation story, and Bob Odenkirk brings his own distinctive flavour.
I would never know how good I was if I didn't have Bob Arum. Bob Arum is white, Jewish; He was working for prosecutor's office. I'm black, an ex-convict, ex-number runner. Who would be most likely to succeed? It would be Bob 100-1. Yet I beat Bob on everything we ever done, with love.
Most sketch aficionados have an enormous amount of respect for 'Mr. Show.' I didn't have HBO back then, so I was always trying to find episodes. Bob Odenkirk and David Cross became celebrities, and Jay Johnston - who's lesser known, but brilliant - deserves a lot of credit, too.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
Paul [ Burwell] and I had also got interested in making books. We'd been working with Bob Cobbing, the sound poet, since the beginning of the 70s, and Bob had this press called Writers Forum.
My first professional set was 2014, and it was for a show called 'Bob Servant' for BBC Scotland. I was working in theater for Dundee Rep Theatre doing 'Hecuba,' and I also got this other job, 'Bob Servant.' It was only three days filming.
Bob Hope was totally regimented. I go in and say a line like, 'Hi Bob' and I'd have to do it five times, and then Bob would take me to the writers to say the line different ways. He wouldn't let me ad-lib.
'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.
I called a company and asked to speak to Bob. The person who answered said, "Bob is on vacation. Would you like to hold?
Bob [Dylan] is not authentic at all. He's a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.
I wanted to move on. I wanted to do acting. The next thing I did after [MADtv] was a good hybrid of that. I did this show with Bob Odenkirk and Derek Waters (creator of Comedy Central's "Drunk History") and it was a little homegrown thing that we shot and then we sold it to HBO. We made a pilot and HBO didn't pick it up, but then we made all these webisodes. This was before streaming stuff online made any sense. (The episodes are available on YouTube). Nobody even knew how to watch things on the internet.
I'd like to talk to Bob Marley. I'd just like to ask him what was his method. Bob is one of the greatest songwriters ever. I don't know if people understand how powerful his songs are and the simplicity and genius behind them.
I was a working-class kid from Boston. But I never lost my accent because I felt like that was what I was doing. I didn't have to perform Woody Guthrie like Bob Dylan did in the '60s, I just had to make myself be Eileen Myles and let that be my shield.
One of my favorite albums is Bob Gibson and Bob Camp, 'At the Gate of Horn.' It was a really dynamic album, almost like The Beatles, and way before its time... around 1960 or so.
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