A Quote by Michael McKean

'Clue' was a big flop when it came out, but it became a... It's a movie that almost everyone references with me, now, when I run into people. — © Michael McKean
'Clue' was a big flop when it came out, but it became a... It's a movie that almost everyone references with me, now, when I run into people.
What's wrong with hip-hop [is that] it became so one-dimensional; it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
It's so different now coming out as a new artist today than it was when I came out almost ten years ago. Now, it's all about singles, it's really quick, it's online. I came out when people sold records and they still do today but - I don't know what the key is.
When we were young, we knew things. We knew basic history, even as it related to fashion. Now, when something reappears, an 18 year old has no clue that it's a revival. Despite the fact that they're almost always online they don't get references. I think that's part of why visual things are becoming so derivative.
If you run into trouble doing what's expected, people sympathize with you, while if you try something else and flop everyone says, You see?
Republicans can't run their normal playbook on me that they try to run on Democratic candidates. They can't say I flip-flop because I don't. They can't say I'm weak on defense because I'm not. They can't say I'm weak on values because I'm not. They can't say I'm a big taxer and a big spender.
It's so nice to run into people even now who - if I'm out, a couple of times a week, somebody comes up to me and says, 'I just loved you in '50 First Dates.' That movie is my favorite movie. I just watched it last night.' In my head, I'm always thinking, 'You're kidding me. I never watch anything twice.'
I remember going to the cinema to watch 'Blade Runner' when I was 14 or 15. It was a huge flop when it came out. The cinema was almost empty. I was blown away by it.
I think there are some people that are capable of making a sequel more special than the original. And we have seen that when the original 'Terminator' came out, then Jim Cameron outdid himself with the sequel. Then it became the highest grossing movie of the year when it came out in 1991.
Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.
I got into a brawl one night in a saloon in Greenwich Village. Elia Kazan, a great director, saw me put out a couple of hecklers and figures there was some Big Daddy in me, just lyin' dormant. And out it came. People still do call me Big Daddy, but to me, inside, I'm no Big Daddy at all.
I want to fall in love, I think. I've never. I know. Everyone I know's been in love or in relationships now and... There's only ever been... there's been people telling me they love me, but it freaks me out and I just run, run. I think I'm a bad girlfriend.
I'd say specifically after 'Get Smart,' people now know me either as The Guy from 'Get Smart' or 'She's Out of My League.' When that came out on DVD, everyone was recognizing me from that.
Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
'Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
I'd say, specifically after 'Get Smart,' people now know me either as The Guy from 'Get Smart' or 'She's Out of My League'; when that came out on DVD, everyone was recognizing me from that. But as far as the amount of people in a time, nothing touches when those Capital One commercials were playing.
The whole framework of the presidency is getting out of hand. It's come to the point where you almost can't run unless you can cause people to salivate and whip each other with big sticks. You almost have to be a rock star to get the kind of fever you need to survive in American politics.
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