A Quote by Michael Medved

The movie industry has ignored the success of films that look favorably on faith with the same sort of self-destructive stubbornness that has led to its continued sponsorship of antireligious-message movies.
I loved going to films, but as far as a movie buff, when I came into the movies at 16, life changed a little bit for me, from an onlooker to a person that lived within the industry. So now I would call myself a different sort of fan.
While touring in and outside Mumbai to do theatre, I got some good offers to act in films, which brought me success and I continued to do movies.
Economics and a reliance on science and technology to solve our problems has led to an unsustainable situation where continued growth in consumption is required for governments and business to be considered successful. This is a form of insanity. Economics is at the heart of our destructive ways and our faith in it has blinded us
As soon as we ask what faith is and what sort of mistreatment of faith causes doubt, we are led to the first major misconception about doubt-the idea that doubt is always wrong because it is the opposite of faith and the same thing as unbelief. What this error leads to is a view of faith that is unrealistic and a view of doubt that is unfair.
The great thing for me about 'The Resurrection of Gavin Stone' is it's a throwback to the old fashioned Hollywood movie that you can watch with your family, has a message, and is funny and entertaining. They didn't call them faith-based movies; they just called them good movies.
Asking Hollywood to begin to show some restraint and balance in its antireligious fury is not the same as suggesting that the industry must transform itself into an agency for advancing the Word of God.
Success gives you a platform for further success - suddenly everybody wants to work with you, and your opportunities and possibilities open up. But at the same time, success is also immensely challenging - it ultimately often creates pride, stubbornness, and sloppiness that beget failure, taking down people and organizations.
A lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become desensitized to violence when you see it on the screen so often. Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets. - on the link between movies and school violence.
When I first set out to make movies, that's what I thought I was going to do - make movies that mean something. And each movie had its own message, some stronger than others. Even 'X-Men' has its own message of tolerance.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
Well, I'm really interested in the idea of making genre films, but movies have a much more personal undercurrent to them and that look beautiful, and that's sort of the films I'm kind of interested in making.
My films are about faith, and they're made on faith. There has to be faith because making a movie, so many things can go wrong.
If you look at the sponsorship yields, Formula One - because it happens every year - generates more sponsorship money for a four-year cycle than anybody else. So it is very powerful.
The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
And the VCR did the same thing: the movie industry thought nobody would ever watch movies any more.
I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They're very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That's really where I've ended up.
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