A Quote by Michael Mina

When I first went to Las Vegas, I thought I would never go to Las Vegas; you can't get anything. But then I realized that they were trucking in almost everything; you could get a lot of your product, and I think that's why a lot of chefs actually went there.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas. You can pretty much do it all day and all night if you want to.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas.
Las Vegas is the boxing capital. During a Floyd Mayweather fight weekend, you can shop, party, stay out late and do anything you want. The city of Las Vegas has everything.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
If what happens in Las Vegas is supposed to stay in Las Vegas, how did Harry Reid get out?
I compete with the 'Welcome To Las Vegas' sign for the number one non-gaming tourist attraction in Las Vegas. I get more visitors than the Hoover Dam.
Sure, we loaned money to build hotels and casinos in Las Vegas. So what? Las Vegas borrowers were good customers.
The reinvention of American culture as purely the self catapulted Las Vegas to prominence. The city took sin and made it choice -- a sometimes ambiguous choice, but choice nonetheless. Combined with a visionary approach to experience that melded Hollywood and Americans' taste for comfort and self-deception, Las Vegas grew into the last American frontier city, as foreign at times as Prague but as quintessential as Peoria. In Las Vegas, you can choose your fantasy; in the rest of America, you don't always get to pick.
Many a man who goes to Las Vegas to get away from it all soon finds that Las Vegas gets it all away from him.
I live in Las Vegas with my family, and I never realized what my parents would go through to get me to a five-minute audition.
The guys have a lot of good cars built up. We're going to do some more testing before we go back to Las Vegas and try to win at Vegas again. We need to get off to a quick start.
I do think that people go to Las Vegas for 'whatever happens in Vegas stays in Vegas.' They go for the spectacle.
My impression of Las Vegas was in the movies and on TV. So we were all gonna go see somebody perform - I can't recall who it was - and we went out and rented tuxedos because I thought that's what you did in Vegas.
Viva Las Vegas with your neon flashin' and your one arm bandits crashin' all those hopes down the drain. Viva Las Vegas turnin' day into nighttime, turnin night into daytime. If you see it once, you'll never be the same again.
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