A Quote by Michael Moorcock

I'd started doing fanzines from the age of nine. I'd been doing as many copies as you can get carbon paper into an upright typewriter, and I'd try to sell them at school. — © Michael Moorcock
I'd started doing fanzines from the age of nine. I'd been doing as many copies as you can get carbon paper into an upright typewriter, and I'd try to sell them at school.
I started 'American Born Chinese' as a mini-comic. I would write and draw a chapter, photocopy a hundred or so copies at the corner photocopy store, and then try to sell them on consignment through local comics shops. If I could sell maybe half a dozen, I'd be doing okay.
I get a lot of dark scripts now. I don't wanna be stuck doing movies like American Pie. For someone my age, once you get started doing them, it's hard to get out.
I did, like, one or two plays in high school, but I don't think I realized I wanted to do comedy until I got to college, and I started doing improv and saw the Upright Citizens Brigade perform and did workshops with them.
I loved doing school musicals [as a kid], I even started at an early age to write little plays for the school to perform. I was not just keen on that, it was during that time, during the school period then from an early age, that I began to dream about acting.
Although I have been doing plays since I was 8 years old, it was only when I started doing Shakespeare at age 19 at the Georgia Shakespeare Festival that I felt like my career started.
I came from a really musical family. I studied classical piano because my grandparents were piano teachers, but started doing musical theater at age nine in Fresno, California, and went to a performing arts high school. That was my life.
The theme of counterfeits, of those that produce and sell them, has always been part of the culture of M.I.A. When I was contacted by Versace, it seemed a great idea to invert the circle. Versace's designs have always been copied; now it's Versace that copies the copies, so those that copy must copy the copies. So this will continue.
I began conducting when I was in school, around age 12, because I was writing little theater pieces and wanted to perform them. And then somehow I got started on it. I love doing it, but I have to ration myself very severely or I wouldn't get anything else done.
I just turned 40, and it's weird to think that I've been doing this almost my whole life. I was a child actor and then didn't do it through junior high and high school, then started up again in my late teens doing 'Young and the Restless.' Dabbled with school, went back to college, played around. I think I was doing Pleasantville at 23.
When I was nine, I started doing ballet. That's when I knew that I was down to keep doing it.
I edit as I go. Especially when I go to commit it to paper. I prefer a typewriter even to a computer. I don't like it. There's no noise on the computer. I like a typewriter because I am such a slow typist. I edit as I am committing it to paper. I like to see the words before me and I go, "Yeah, that's it." They appear before me and they fit. I don't usually take large parts out. If I get stuck early in a song, I take it as a sign that I might be writing the chorus and don't know it. Sometimes,you gotta step back a little bit and take a look at what you're doing.
I remember, from aged six to nine, I was loud and abrasive and loved making noise and loved playing instruments and doing all those things. When I was about ten, I realised I could get attention by doing that, so when I was eleven, I started writing songs.
One of the things that we need to do immediately is try to move our self away from petroleum-based or fuels from carbon-based fueling of this country, and, you know, we started doing that here in Iowa and we've been very successful with developing our alternative energy programs.
To this day, I continuously get social media people tweeting doing 'Glorious Bombs' from all over the world. You have little kids doing them. You have moms doing them who have no idea what they're doing, but they're doing it. It's become one of those entertaining things.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
I never started doing the videos because I thought they were going to get millions of views. I started doing them because I was at home, and I was bored.
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