A Quote by Michael Moorcock
I have a kind of innate sense of structure, which also makes me a good mimic.
Related Quotes
INNATE is God in human beings. INNATE is good in human
beings. INNATE cannot be cheated, violated, or tricked. INNATE is always
waiting, ready to communicate with you, and when INNATE is in contact
you are in tune with the Infinite.
I like to work and it kind of keeps me in line, which is very good because I need that structure.
And when you are operating within your style, which is your world, which you operate in, then it also would make sense to you. Now, whether it makes sense to anybody outside is besides the point really. You just do it and then you find that other people kind of begin to relate to it and allow themselves to get into your way of thinking about things.
Freudian psychoanalytical theory is a mythology that answers pretty well to Levi-Strauss's descriptions. It brings some kind of order into incoherence; it, too, hangs together, makes sense, leaves no loose ends, and is never (but never) at a loss for explanation. In a state of bewilderment it may therefore bring comfort and relief.... give its subject a new and deeper understanding of his own condition and of the nature of his relationship to his fellow men. A mythical structure will be built up around him which makes sense and is believable-in, regardless of whether or not it is true.
Historians constantly rewrite history, reinterpreting (reorganizing) the records of the past. So, too, when the brain's coherent responses become part of a memory, they are organized anew as part of the structure of consciousness. What makes them memories is that they become part of that structure and thus form part of the sense of self; my sense of self derives from a certainty that my experiences refer back to me, the individual who is having them. Hence the sense of the past, of history, of memory, is in part the creation of the self.
I think most of the actors that I know that I think are good are kind of funny people. There's just something about being alive to the truth of a moment that makes a good joke that also makes a good actor.
The same common sense which makes an author write good things, makes him dread they are not good enough to deserve reading.
My mom has given me my sense of style. She has taught me how individual style is so beautiful, what you appreciate on someone else might not be good for you. For her, style is all about being comfortable, and she has an innate sense of sophisticated style.
There is a new wave of environmental consumers I like to call Pocketbook Environmentalists. They're going green primarily because it makes good financial sense, but the fact that it benefits their families' health and the environment also makes them feel good.
I would never be essentialist about sexuality and structure, but I do think there's a way in which this male-arc has been talked about as the only structure, and kind of a stand-in for even the word structure, instead of looking at other forms.
Whatsoever accidents or qualities our senses make us think there be in the world, they are not there, but are seemings and apparitions only. The things that really are in the world without us, are those motions by which these seemings are caused. And this is the great deception of sense, which also is by sense to be corrected. For as sense telleth me, when I see directly, that the colour seemeth to be in the object; so also sense telleth me, when I see by reflection, that colour is not in the object.
Dreams are but interludes, which fancy makes; When monarch reason sleeps, this mimic wakes.
If the music is good, and if it makes sense as a strong structure and as a drama, and things happen as a result of what happened before, not just as a string of unrelated events, then the question doesn't come up.
People define gay cinema solely by content: if there are gay characters in it, it’s a gay film... Heterosexuality to me is a structure as much as it is a content. It is an imposed structure that goes along with the patriarchal, dominant structure that constrains and defines society. If homosexuality is the opposite or the counter-sexual activity to that, then what kind of a structure would it be?
For me, the training has to be a mixture of hard work - it has to have a good structure, a good base - but also, I don't want all my players to be like machines.
I do think, or rather I sense that there is a relationship - at least in my own work - between a dramatic structure, the form and sound and shape of a play, and the equivalent structure in music. Both deal with sound, of course, and also with idea, theme.
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