A Quote by Michael Moore

We like nonfiction, and we live in fictitious times. — © Michael Moore
We like nonfiction, and we live in fictitious times.
We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons.
We live in a time when fictitious election results elect a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons.
We like non-fiction because we live in fictitious times.
Out of the fictitious book I get the expression of the life, of the times, of the manners, of the merriment, of the dress, the pleasure, the laughter, the ridicules of society. The old times live again. Can the heaviest historian do more for me?
We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it's the fictition of duct tape or fictition of orange alerts we are against this war, Mr. Bush. Shame on you. Mr. Bush, shame on you. And any time you got the Pope and the Dixie Chicks against you, your time is up.
For a while I just couldn't imagine that there was a place for me in nonfiction. I looked around at what we were calling nonfiction and I thought, "Maybe you do have to go to poetry in order to do this other weird thing in nonfiction."
I'm not a poet, but I was in the poetry program. And I'm also not much of a nonfiction writer, at least not in the standard sense of nonfiction, nor especially in the way we were thinking about nonfiction back then, in the late 90s.
I play fictitious characters often solving fictitious problems. I believe mankind has looked at climate change in the same way, as if it were a fiction.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
We should seek to cooperate with Europe, not to divide Europe to a fictitious new and a fictitious old.
The banks themselves were doing business on capitals three-fourths of which were fictitious. This fictitious capital... is now to be lost, and to fall on somebody; it must take on those who have property to meet it, and probably on the less cautious part, who, not aware of the impending catastrophe, have suffered themselves to contract, or to be in debt, and must now sacrifice their property of a value many times the amount of the debt. We have been truly sowing the wind, and are now reaping the whirlwind.
As I started to read nonfiction in the mid '70s, I discovered, holy cow, there was a lot of imaginative nonfiction. Not the kind where people use composite characters and invented quotes. I hate that kind of nonfiction. But imaginative in the sense that good writing and unexpected structure and vivid reporting could be combined with presenting facts.
Each day I feel a little differently; some times I try to write something that's fictitious and then there's other times where I try to write something that's true.
I love nonfiction the most. It's hard to find a good nonfiction story, and that's why I'm not as prolific, I guess, as a lot of people. They're hard to find. I love the nonfiction writer Ben Macintyre. I think he's terrific at the form of telling a story in a cinematic way.
Bad times, hard times, this is what people keep saying; but let us live well, and times shall be good. We are the times: Such as we are, such are the times.
For me, a memoir is nonfiction and nonfiction has to be absolutely true.
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