A Quote by Michael Moore

I'd feel bad if I had you come into a theater and you leave feeling ripped off. — © Michael Moore
I'd feel bad if I had you come into a theater and you leave feeling ripped off.
Theater audiences don't pull punches. They'll let you know when they're feeling ripped off.
I was feeling lonely without her, but the fact that I could feel lonely at all was consolation. Loneliness wasn't such a bad feeling. It was like the stillness of the pin oak after the little birds had flown off.
Bad feeling is a country no woman want to visit. So they take good feeling any which way it come. Sometime that good feeling come by taking on a different kind of bad feeling.
I want people to dance. I want people to feel good. You went to work, you feel bad - come here, feel good, dance. Don't leave the club feeling worse than you did before you got there! That's what music used to be for.
Sometimes I leave an encounter or a conversation hoping that I didn't come off as above my raisin' - hoping that I didn't make somebody feel bad for not having as much as we're fortunate to have.
Any seasoned deal maker will tell you that spontaneous negotiation's a bad strategy; the ad hoc approach will leave you ripped-off, busted, conned, stiffed, outsmarted and generally holding the shitty end of the stick.
Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
If I've had a bad day, if I'm feeling stressed out, if I'm feeling overwhelmed - it takes it all away. It's my antidote for everything. If I feel any sort of emotional upheaval, I go for a jog and I feel better.
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
I want the audience to walk out of the theater feeling they got their money's worth. Every movie that I enjoy, I leave the theater with something to take with me.
I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
I come from theater and captured theater has a bad rap of being never what the live performance was.
I see too many men delay their exits with a sickly, slow reluctance to leave the stage. It's bad theater as well as bad living.
I always felt like I had to leave Canada, which I think is a common perspective - feeling as if you have to leave because otherwise you'll be too soft, and that objective reality exists in America. And I'm starting to feel like that doesn't have to be the case.
I don't like dealing with money transactions in poor countries. I get confused between the feeling that I shouldn't haggle with poverty and getting ripped off
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