A Quote by Michael Moore

For a documentary filmmaker, I do very well. — © Michael Moore
For a documentary filmmaker, I do very well.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
I've never seen myself as a documentary filmmaker. I see myself as a filmmaker, period, and I am interested in drama as well as in documentary.
I never intended to be a documentary filmmaker. I think I became a documentary filmmaker because I had trouble writing, and I had trouble finishing things.
Whatever storytelling muscles you've developed as a documentary filmmaker will be extremely helpful as a narrative filmmaker.
I have major credibility as a hip, out-there documentary filmmaker, and I'm not going to say, 'I'm only a drama filmmaker' anymore.
Even a documentary portrait of a person that tries to be very accurate is shaped by the filmmaker in so many ways.
Since I come from documentary background and my father is a documentary filmmaker, for me the core essence of cinema is it's social statement. It is somewhat similar to the work of a journalist, just on a different level. This is the kind of cinema I enjoy.
Well it has been very exciting and very changing as well. Celebrating the 40th year and having the album out and the Channel 4 documentary and I resigned from Blind Date.
As a documentary filmmaker, I try to be sensitive to my subjects.
I would love to have been a documentary filmmaker; I just didn't have the resources to do that.
As a documentary filmmaker, I'm very respectful, and my interview style is not intrusive. I don't really have an agenda. I just go in there, I mumble something or other, I wait for them to speak, and I wait for them to stop.
I'm a documentary filmmaker, I know what it means to craft a story, especially when you've shot a lot of material.
As a documentary filmmaker, I couldn't afford to give my children the lifestyle I had in San Francisco growing up.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
My interest in painting is recording things. I think of myself as almost a documentary filmmaker... I've gotten into some curious situations.
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
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