A Quote by Michael Moore
Filmmakers and artists always thrive during more liberal times.
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I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.
It's very rare that you have a liberal run as an unabashed liberal. They have to lie about it. They have to mask who they are. And in order for them to survive and thrive, they have to keep that up.
I think the press, by and large, is what we call "liberal". But of course what we call "liberal" means well to the right. "Liberal" means the "guardians of the gates". So the New York Times is "liberal" by, what's called, the standards of political discourse, New York Times is liberal, CBS is liberal. I don't disagree. I think they're moderately critical at the fringes. They're not totally subordinate to power, but they are very strict in how far you can go. And in fact, their liberalism serves an extremely important function in supporting power.
If you deconstruct the movies that have done well, Pixar-type movies that do incredibly well and make hundreds of millions of dollars, they have a strain of decency and conservatism that maybe even their filmmakers don't even recognize. Yet, we cross our fingers that by mistake, liberal filmmakers and liberal producers are going to by mistake make conservative movies. We have to become invested in it, or else we have no excuse to complain.
Atheism in legislation, indifference in matters of religion, and the pernicious maxims which go under the name of Liberal Catholicism are the true causes of the destruction of states; they have been the ruin of France. Believe me, the evil I denounce is more terrible than the Revolution, more terrible even than The Commune. I have always condemned Liberal Catholicism, and I will condemn it again forty times over if it be necessary.
Few artists thrive in solitude and nothing is more stimulating than the conflict of minds with similar interests.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
An economy where advertisers thrive while journalists and artists struggle, reflects the values of a society more interested in deception and manipulation than in truth and beauty
Liberal institutions straightway cease being liberal the moment they are soundly established: Once this is attained, no more grievous and more thorough enemies of freedom exist than liberal institutions.
We need more filmmakers of color telling the story. I'd like to see more filmmakers take their products out independently, put together a good commercial film and distribute it online.
Coming from a YouTube perspective, a lot of times you kind of limit yourself and think, 'Oh, artists from the real world wouldn't want to work with someone who's made their career on YouTube.' But more and more, I'm realizing that artists from both sides are learning that we can benefit from each other.
I always say that AMC hires filmmakers, and they let them be filmmakers.
It's wonderful to move forward technologically, but we cannot forget that we are human beings who thrive on relationships, who thrive on interconnectivity, who thrive on sharing your feelings and emotions.
I've always believed that - it's stupid, but I always use this - the pressure makes the diamonds. I really do believe that. The more pressure I'm put under, the more, it seems, I thrive. The more you give me to do and the more you give me to accomplish, the more I can get done for you.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
A classic liberal is more like a libertarian. I'm sorry. Classic liberal, actually, from the 1800s has a totally different meaning than a liberal who is [modern] classic.
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