A Quote by Michael Morell
I want the vetting to be solid. But I also want to bring these people in because not bringing them in sends a message, right, to the Muslim world and plays into the ISIS narrative and the Al Qaeda narrative, right, that this is a war between religions. And we can't have that.
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European children are educated in a narrative of human tolerance every day, and if you want to be sure to prevent a backlash, you should at least think of bringing Muslim children and teenagers into the fold of that narrative of tolerance.
I'm concerned, too, about ISIS' ability, right, to infiltrate people. But we have got some very effective, robust processes for vetting people. We brought in thousands of Iraqi refugees after the Iraq War. Not a single one has ever turned out to be a terrorist because the vetting was so good.
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
They don't want to feed an ISIS narrative that there is a religious war between Islam and the Christian West, plus genocide is carefully defined under international law.
Muslim communities are the ones that going to see radicalization happening at a mosque or hear it in the community or even among their own family members. And the other part is that there is a narrative that ISIS and other jihadists pose that this is a war between Muslims and the rest of the world.
You know who's upset now with ISIS? Al Qaeda. It's because ISIS is getting more attention than Al Qaeda. So now, Saturday night will be Ayman al-Zawahiri bobblehead night.
When Dylann Roof walked into a black church, he wanted to start a race war. We didn't let him do that because we didn't cast him as a representative of the white race. We didn't give into his narrative. We did the exact opposite. And I think that we have to be careful not to give into the apocalyptic narrative of ISIS that wants to start a war between Muslims and everybody else.
When you have the national narrative being "crack is awful and black people are using it," why go against that narrative when you want to get that publication in The New York Times or wherever? It encourages people to play right into it.
There is nothing more worrisome to ISIS than cooperation between 'the West' and the Muslim world, for it defies the narrative of a clash of civilisations the group is trying to revive.
I want there to be hints of narrative everywhere in the image so that people can make up their own stories about them. But I don't want to have my own narrative and force it on to them.
The rise of ISIS starts with a Jordanian thug named Abu Musab al-Zarqawi who founded ISIS' parent organization, al Qaeda, in Iraq. What gave Zarqawi the opportunity to create al Qaeda in Iraq? It was, of course, George W. Bush's decision to invade Iraq in 2003.
The majority of fighters now are Al-Qaeda. If you want to support them, you are supporting Al-Qaeda, you are creating havoc in the region, and if this region is not stable, the whole world cannot be stable.
Some Pakistanis fought for the Taliban. Pakistani extremist groups provided infrastructural support to Al Qaeda. There was a coming and going of Al Qaeda militants and leaders between Afghanistan and Pakistan for several years. All that has really happened is that Al Qaeda has escaped from Afghanistan come into Pakistan, got in touch with their contacts and friends in these extremist groups, which then provided them with safe houses, cars, and not just in the border areas but also in the cities. Rooting out Al Qaeda in Pakistan now is where the main battle is being fought.
I totally disagree with the premise that al Qaeda is on the path to defeat. Quite the contrary, al Qaeda has deliberately decentralized its operations - not because of the relentless attacks we have had on its national leadership in Pakistan, but because its strategic objective is to dominate and control Muslim countries in the region.
I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
I assure my fellow citizens that the vast majority of Muslims experience the same fear they do. ISIS and Al Qaeda are my enemies, too. Most of the people killed by these groups have been Muslim.
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