A Quote by Michael Moriarty

My musical influences are from the '50s: Bill Evans, Miles Davis and Ahmad Jamal. — © Michael Moriarty
My musical influences are from the '50s: Bill Evans, Miles Davis and Ahmad Jamal.
I haven't been afraid of John Coltrane or Miles Davis or Bill Evans or Wayne Shorter or Herbie Hancock. Why would I be afraid of the Beatles?
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
All my inspiration comes from Ahmad Jamal.
Jazz doesn't have much to do with how I write songs, but I am a big fan. My favorites are Oscar Peterson, Ahmad Jamal, and Mose Allison.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot and coincidentally we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
If you really dissect hip-hop you will find a whole lot of Charles Mingus, Ron Carter, Ahmad Jamal, a lot of classic jazz samples in there.
Dave Rocha is a mature and eminently musical improviser. His sumptuous tone and cafefully chosen notes embody real musical thought. His performance of 'Dear Old Stockholm' at Chez Hanny evoked favorable comparisons to Miles Davis' classic recording.
My first ambition in life, I made up my mind I was going to become Miles Davis. I studied music, music theory. I played trumpet for nine years. One day, my mother explained, 'You can't be Miles Davis. There's one, and he's got that job.'
I saw Al Foster with Miles Davis the other week. It was beautiful. But, the whole thing was, Al Foster played as well as everybody else, but all of them were quite brilliant under Miles Davis' direction.
When we came up, Clive Davis and other record execs would do anything to keep Miles Davis, Aretha Franklin, even Johnny Mathis intact, because they wanted to keep alive a musical legacy. As a result, those artists were able to spend 30 to 40 years in the business and still make a living, still have a fan base.
My own musical background is based in the blues, and in classical composition. I grew up listening to Muddy Waters, John Coltrane, Miles Davis, Beethoven and Bach.
If we are going to list guitar influences, the biggest one by far is Wes Montgomery. Also, Gary Burton was obviously huge for me in a number of ways. But beyond that, Clifford Brown, Miles Davis and Freddie Hubbard.
Interestingly enough Miles Davis was an influence, and the way he approached harmonics. And one of my biggest influences was Dionne Warwick, early Dionne Warwick.
It's called 'Miles Davis, Prince of Darkness,' and it's about Miles Davis, the genius, and why he was the way he was, and how he changed music so many times. He changed music six times. So, I'm excited about that movie.
This site uses cookies to ensure you get the best experience. More info...
Got it!