A Quote by Michael Moriarty

I was born first to music. But I went into acting because my father knew so much about music he intimidated me. So, I picked an art form, he knew nothing about. So I could be my own man.
[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.
At first people thought I was really arrogant and a snob about music because I'm so intense about my production and sound, and because they knew I didn't like new music so much.
I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.
When I decided to take on acting as a career and a profession, I didn't know much about it. I knew that I was passionate about it. There was nothing else I could think of that I wanted to do and that's when I knew it was the right choice. It was also one of the scariest moments of my life.
In so many areas, when you think about it, you never really see an actor cross over to music. It always music to acting and it's receivable because when music gives a form of entertainment of art to where it's very personable, it's a passion, it's an intimate type of art to when you hear it, it's them.
From the beginning, I knew intuitively that if nothing else, music was safe, and that nobody could tell me anything about it. Music didn't need a middleman, whereas all the other things in school needed some kind of explanation.
I always knew I would do music. At first, I wanted to play basketball, and when I let go of that dream when I was 11, I pretty much knew I was going to be in music.
I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.
I knew I loved music, and I knew that I could feel music. So, I knew I had rhythm.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
I knew all this Beatles music. I knew the songs phonetically. It was like my whole experience of that music was out of focus, and somebody put the perfect glasses on me, and all of a sudden I could see everything.
I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that. Also, when I saw 'The Sound of Music' at Music Circus, I knew I wanted to act.
My father being a theatre person used to compose music for his plays. He noticed me singing one of his compositions at a young age and he was amazed. From then on, he taught me the little things that he knew about music.
My father worked for Bell Labs. Hence, I knew very much about the place. I knew it because also he was involved with telephony.
I always could hit, but fielding I had to work at. I took as much pride in fielding as hitting. I became a complete ballplayer. I knew when to take the extra base. I knew about the outfielder hitting the cutoff man. I knew when and how to bunt. I knew when to hit-and-run.
Knowing what I knew about Russia, as much as I loved the music and was fascinated by the songs and the whole idea of it, I knew it would be a very lengthy and frustrating process.
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