A Quote by Michael Morpurgo
I was brought up, as a lot of kids are, on 'Aesop's Fables,' 'Brothers Grimm,' 'La Fontaine,' all those sorts of things. Hans Christian Andersen is a hero of mine.
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I’m not Hans Christian Andersen. Nobody’s gonna make a statue in the park with a lot of scrambling kids climbing up me. I won’t have it, okay?
In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.
Imagine an American Hans Christian Andersen, conceive of the Brothers Grimm living in Missouri, and you will approximate Howard Schwartz, a fable-maker and fable-gatherer seduced by the uncanny and the unearthly. In Lilith's Cave, he once again reaches into a magical cornucopia of folklore and fantasy and spreads before us, in enchanting language, the marvels and shocks of dybbuks, ghosts, demons, spirits, and wizards.
The supernatural is ubiquitous in children's entertainment, from Grimm and Hans Andersen to Disney and 'Harry Potter.'
Ever heard of anyone executed for distributing copies of Grimm's fairy tales? Imagine people trying to smuggle copies of Hans Christian Andersen's works into China? The Bible, which has been called a mere collection of myths has suffered all of these fates: even today, copies of the Bible are banned and burned. There's something about this ancient book that threatens and frightens those in power.
I loved reading Grimm's fairy tales and Hans Christian Andersen, and I loved to dream about other worlds and other lives. Maybe that has something to do with having an incomplete family, being an only child. All I know is I loved to pretend, and all that was in tandem with my wanting to be an actress.
There is a bit of Hans Christian Andersen in every Dane.
I liked Hans Christian Andersen because the tales were so dark and tragic.
I guess I am running the risk of becoming the Hans Christian Andersen of opera.
I never liked Hans Christian Andersen because I knew he was always getting at me.
A lot of my reading over the next few months will be the works of Hans Christian Andersen - I have been appointed an ambassador for the bicentenary celebrations of his birth next year.
I'm not Hans Christian Anderson. Nobody's gonna make a statue in the park with a lot of scrambling kids climbing up me. I won't have it, okay?
I was already committed to a play back in New York about Hans Christian Andersen, where Colleen Dewhurst was going to play my mother. I was excited about that, and I got this script called 'Back to the Future,' and I thumbed through it. Didn't pay a hell of a lot of attention.
My grandmother, Amalia Pia Emilia Vignola, whom I called Nonna, brought out the fairy tale in everything. She used to tuck me into bed so vigorously that I never felt anything less than comforted, and then afterwards, she would sit on a cane basket box next to my bed and read Hans Christian Andersen to me.
When I was a kid, the book that I liked the most was 'Aesop's Fables.' There was a version of it that my father read stories to us kids out of. I liked the idea of the short story format.
As a child, my idea of the West was that it was a miasma of poverty and misery, like that of the homeless 'Little Match Girl'in the Hans Christian Andersen story. When I was in the boarding nursery and did not want to finish my food, the teacher would say:'Think of all the starving children in the capitalist world!
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