A Quote by Michael Morpurgo

Everyone is interested in war, in that people don't want it to happen. I'm much more interested in peace than in war but it's important to understand why we fight.
People want to know why the South is so interested in the Civil War. I had maybe, it's a rough guess, about fifty fistfights in my life. Out of those fifty fistfights, the ones that I had the most vivid memory of were the ones I lost. I think that's one reason why the South remembers the war more than the North does.
Frankly, I had enjoyed the war… and why do people want peace if the war is so much fun?
I went out to cover the wars in Iraq and Afghanistan fundamentally [in Buzzing at the Sill] because I was interested in war as a notion and in experiencing it. I was interested in history and how societies form. I was interested in the recent history of what had provoked these wars. So when I finally got out there, I was really seeing the wars through the American perspective, much more than through being embedded with American soldiers and Marines.
The intelligence community is so vast that more people have top secret clearance than live in Washington. The U.S. will spend more on the war in Afghanistan this year, adjusting for inflation, than we spent on the Revolutionary War, the War of 1812, the Mexican-American War, the Civil War and the Spanish-American War combined.
War forgets peace. Peace forgives war. War is the death of the life human. Peace is the birth of the Life Divine. Our vital passions want war. Our psychic emotions desire peace.
From time immemorial, people have talked about peace without achieving it. Do we simply lack enough experience? Though we talk peace, we wage war. Sometimes we even wage war in the name of peace. . . . War may be too much a part of history to be eliminated?ever.
I am not proposing to replace war with peace. I propose to replace war with a smarter fight. A fight using other instruments, more intelligent instruments to convince people not to use drugs.
I have always been interested in the architecture of war, as can be seen in Bunker Archeology. However, at the time that I did the research for that book, I was very young. My aim was to understand the notion of 'Total War'.
The casualties in the Civil War amount to more than all other wars - all other American wars combined. More people died in that war than World War II, World War I, Vietnam, etc. And that was a war for white supremacy. It was a war to erect a state in which the basis of it was the enslavement of black people.
Beyond the futility of armed force, and ultimately more important, is the fact that war in our time inevitably results in the indiscriminate killing of large numbers of people. To put it more bluntly, war is terrorism. That is why a 'war on terrorism' is a contradiction in terms.
I want a world of peace. I'm not interested in bombs. I'm not interested in wars. I'm interested in peace.
When you say that after World War I there was a pandemic that killed more people than the war itself, most will say: "Wait, are you kidding? I know World War I, but there was no World War 1.5, was there?" But people were traveling around after the war, and that meant the force of infection was much higher. And the problem is that the rate of travel back then was dramatically less than what we have nowadays.
We're all more or less interested in the 'swinging sixties', of course, but that's not what I mean. I'm interested in the particular naive glamour that clings to the post-war and pre-Hendrix era.
I've always been interested in the politics of war. War is one of those things that, the longer I studied it, the more illogical it seemed.
You cannot qualify war in harsher terms than I will. War is cruelty, and you cannot refine it; and those who brought war into our country deserve all the curses and maledictions a people can pour out. I know I had no hand in making this war, and I know I will make more sacrifices to-day than any of you to secure peace.
I don't care how much people understand what it is that I'm doing, except if they're players in my ensemble or other ensembles. I just want people to be moved by the music. If you're not moved by the music, then everything else falls away. You're not interested in the text, you're not interested in how it was done, and you're not interested in interviewing the composer and all the rest of it.
This site uses cookies to ensure you get the best experience. More info...
Got it!