A Quote by Michael Moschen
If you look at any 15 pieces of mine, nobody does a piece like them. Totally new techniques. All the jugglers are stealing from me and claiming that they've done it.
Related Quotes
Mass delusion is the result of the effort. Propaganda is one of the techniques. But it mentioned things like you create a consensus of something that's totally absurd. You get people believing something totally absurd, however that's done, and then the people with common sense come along and say, "No, no, no. That's totally wrong," and they end up being the new kooks and weirdos. They are the ones society thinks are cockeyed and weird.
Ain't nobody ever had a jumpshot like mine, ain't nobody ever power moves like mine, ain't nobody ever tough defense like mine and ain't nobody ever had the courage to be a winner like me.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
What does this Heidi Parker look like pregnant? What does she look like first thing in the morning? Or bending over? What do any of these bloody 'journalists' look like that makes them find the normal appearance of celebrities so offensive?
The time I like listening to music most on headphones is, I have a game I play with my brother, he's a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file; I don't know what instrument he was playing them on; I know nothing about his section of the sound of the piece, and then when I'm sitting on trains I do a lot of train travel I turn them into pieces of music. And I love to do that; it's my favorite hobby.
The only way a work of art can become great is for one to acknowledge that it doesn't belong to anybody. The greatness is in constantly giving back, coming to an acknowledgment of the source. Look back to the source of any individual, any process, any set of materials. If the individual personality can relinquish its insistence on concepts like this is mine, I did it, this is original, nobody else has done it, it goes straight for greatness or the essential spirit.
When I came to New York for the draft in '89, they told me I should be like 10 and 15, and it didn't happen. So I was very disappointed, like, nobody wants me.
The great thing about the Internet is - our show is totally modular. Every piece can be popped in and out. They're relatively short pieces. They're not long. And we can say, "here' s one way to market it. Take these pieces out of the show and put them on the Internet." And we're doing dirtier cuts and put those on the Internet. It's a real great way to market the show. This is finally the year a show like this can happen.
With a piece of classical music by Haydn, Mozart, or Beethoven, on first listening I'm referencing it with other pieces by them that I know. I think that most people do this - they listen to pieces through the filter of pieces they already know.
I can look at a photo and the dimensions of any piece and tell you if it's going to sit well with the four other pieces in your room.
The ultimate point of a piece for me is that it drives the next one. Does it open new doors? That's the success of a piece.
That's what I tried to create, even though they are new pieces. I wanted them to feel like very special pieces that you can hold on to for a long time. I didn't want them to be too high fashion, I wanted them to be more timeless.
Acting is, to me now, artificial. Seeing people suffer is real. It couldn't be more real. Some people don't like to look at it in the face because it's painful. But if nobody does, then nothing gets done.
For my wardrobe, I like to invest in classic pieces and pair them with more trendy new pieces and accessories each season.
It's weird when you see pieces of choreography that were done for you 15 or 20 years ago and now they are being done by another dance company.
Though methods play an important role in the early stage, the techniques should not be too mechanical, complex or restrictive. If we cling blindly to them, we shall eventually become bound by their limitations. Remember, you are expressing the techniques and not doing the techniques. If somebody attacks you, your response is not Technique No.1, Stance No. 2, Section 4, Paragraph 5. Instead you simply move in like sound and echo, without any deliberation. It is as though when I call you, you answer me, or when I throw you something, you catch it. It's as simple as that - no fuss, no mess.
Related Authors
Adam Carolla Quotes
American
Entertainer
Andrew Flintoff Quotes
English
Entertainer
Conan O'Brien Quotes
American
Entertainer
David Copperfield Quotes
American
Entertainer
Dick Cavett Quotes
American
Entertainer
Earl Nightingale Quotes
American
Entertainer
Jamie Hyneman Quotes
American
Entertainer
Jon Stewart Quotes
American
Entertainer
Khloe Kardashian Quotes
American
Entertainer
Marc Maron Quotes
American
Entertainer
Martha Stewart Quotes
American
Entertainer
Oprah Winfrey Quotes
American
Entertainer
Penn Jillette Quotes
American
Entertainer
RuPaul Quotes
American
Entertainer
Rush Limbaugh Quotes
American
Entertainer
Simon Cowell Quotes
British
Entertainer