A Quote by Michael Moschen

I bought a crystal ball, and I wanted to use it, but I didn't know how, and I wouldn't use it until I developed a technique to use it that was truthful. — © Michael Moschen
I bought a crystal ball, and I wanted to use it, but I didn't know how, and I wouldn't use it until I developed a technique to use it that was truthful.
Don't have a fixed idea in your head (that you have to use this or that technique). Use everything you've learned until now.
I really wanna make hip-hop music, but I don't know how to use any of the tools. Electronic, computer skills, I don't have those for engineering or making beats. I don't know how to use a sampler well. I don't know how to use any of these things.
Take Google - I can use it, you can use it, anyone else can use it, but we all know its designed so that private power can influence significantly how you access it.
Did you just use juxtaposition in a sentence?" "Yes, Sage" he said patiently. "We use it all the time with art, ... That, and I know how to use a dictionary
Our focus in the client group had always been to build products and features that people wanted to use. That we wanted to use. That our moms wanted to use.
I find that you can use an acting technique when the thing isn't working, not that you make the technique the end result of your work. You use the technique when you're in trouble and things aren't flowing the way they should. It's a way of fooling yourself to make it work again.
Creativity or talent, like electricity, is something I don’t understand but something I’m able to harness and use. While electricity remains a mystery, I know I can plug into it and light up a cathedral or a synagogue or an operating room and use it to help save a life. Or I can use it to electrocute someone. Like electricity, creativity makes no judgment. I can use it productively or destructively. The important thing is to use it. You can’t use up creativity. The more you use it, the more you have.
I don't use Richard Nixon as necessarily the guide, OK. I mean, you know, it's an interesting person to use, but don't use it.
It's not about the stuff. The issue is how we use that stuff and how do we train people to use that stuff. Do we use that stuff to confront people who are protesting in a community? Do we use a sniper rifle to see closer in a crowd? That's where it breaks down.
I always use my Les Paul. I have a Hamer as well. I use a Tele and an Esquire - once in a while, I will use a Strat, and I never use any pedals... except for in my car.
The use of the internet, the use of Twitter, the way protest movements developed...This is a different world.
The use of the Internet, the use of Twitter, the way protest movements developed... This is a different world.
Anyone who's an executive at a record label does not understand what the Internet is, how it works, how people use it, how fans and consumers interact - no idea. I'm surprised they know how to use e-mail.
Young people know how to use these social networking tools, and they know how to use them effectively.
I don't know how to use appliances. I mean, I use the coffee maker. But that's it.
I think my imagination dictates the technologies I use. But at the same time, my imagination can be technologic. Sometimes I see a tool and I know immediately how to use it, but most of the time I use the tool for an idea I already have.
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