A Quote by Michael Ondaatje

Half a page--and the morning is already ancient. — © Michael Ondaatje
Half a page--and the morning is already ancient.
Well, I'm a slow writer. For me, a good day is a page, maybe a page and a half. I'd love to be more efficient, but I am not.
I want to wake up one morning and know how to write page one, or page 10, or page 250. But I never seem to know how to do it. Every book is different and takes a different structure, style, process, etc. And relearning how to write is where the insanity comes from.
I wake up every morning at nine and grab for the morning paper. Then I look at the obituary page. If my name is not on it, I get up.
Only half a page left now. Shall I fill it with 'I love you, I love you'-- like father's page of cats on the mat? No. Even a broken heart doesn't warrant a waste of good paper.
I can remember times coming home from a chess club at four in the morning when I was half asleep and half dead and forcing myself to pray an hour and study an hour. You know, I was half out of my mind-stoned almost.
While I was in college, I became a page at ABC. Suddenly I was working for Good Morning America, local news, national news. The page is the lowest rung of the ladder, and it's the also the place where you can ask any question and not feel dumb.
I spent many a summer early morning with the radio very low, half sleeping and half listening.
My daily breakfast is two poached eggs in the morning with half an avocado, and I get to have half a piece of toast.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
I still get up every morning at 4 A.M. I write seven days a week, including Christmas. And I still face a blank page every morning, and my characters don't really care how many books I've sold.
In the morning, I reach for the sports page.
I do one sit up a day. I get up in the morning, that's the first half. I lay down at night, that's the second half.
For a Nebraska kid in the late 1970s and early 1980s, Nebraska football was a quasi-religion, so I ran out to get The Omaha World-Herald every morning, salivating for the sports page. My dad, however, required that I read one front page story and one editorial before I was allowed to turn to the sports.
The makeup [for Count Olaf] took about two and a half hours every morning. The meditation was another hour and a half. I would eat a big breakfast - that was probably 45 minutes. And then it was lunch.
Part of what we love about poetry is the fact that it seems ancient, that it has an authority of ancient language and ancient form, and that it's timeless, that it reaches back.
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