A Quote by Michael Ondaatje
Here. Where I am anonymous and alone in a white room with no history and no parading. So I can make something unknown in the shape of this room. Where I am King of Corners.
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One of the greatest attacks of the enemy is to make you busy, to make you hurried, to make you noisy, to make you distracted, to fill the people of God and the Church of God with so much noise and activity that there is no room for prayer. There is no room for being alone with God. There is no room for silence. There is no room for meditation.
When I'm doing a book tour in the States, I'll wake up in the room sometimes in an anonymous chain hotel, and I don't know where I am right away. I'll go to the window, and it doesn't help there either, especially if you're in an anonymous strip and it's the usual Victoria's Secret, Gap, Chili's, Applebee's.
Usually when I'm painting something it takes a lot of focus. I have the room I go into called the white room. In my imagination when I'm really focused I go into that white room and all that's there is me, my painting, and my tools. There's no distraction. When I'm really concentrated I like to have it silent but when I'm doing something that doesn't have to be necessarily perfect, I can just go for it.
Meanwhile, as we read, two little girls slept as if couched on zephyrs on the south side of the parlor floor, in a room that had bunny wallpaper...and a bookcase crammed with the collected Beatrix Potter. Snow White was in a youth bed and Rose Red was in a crib, and next to them was the little blue and white guest room that one of them would have one day. Because I recognize emotions only in retrospect, I didn't know that I was happy. As always, there was something nagging at my mind's corners. But I did know that I had all that it is proper in this world to wish for.
I like to say I sit alone in my room, and I fight the language. I am wildly obsessive. I can't let something go if I think it's wrong.
I don't know what I am thinking. But I am alone. I am trapped in the net of the room. In the net of humans. I think maybe I am drowning in the net of humans.
If I walk into a room, and nobody knows who I am, and they've never seen wrestling a day in their life, I want everybody in that room to look at me and go, 'That guy does something. He is somebody important.'
I am scared of my father to this day. My father walked in the room - and God knows I am telling the truth - I have fainted in his presence many times. I have fainted once to be honest. I have thrown up in his presence because when he comes in the room and this aura comes and my stomach starts hurting and I know I am in trouble.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
Do Not Stand at My Grave and Weep
Do not stand at my grave and weep,
I am not there, I do not sleep.
I am in a thousand winds that blow,
I am the softly falling snow.
I am the gentle showers of rain,
I am the fields of ripening grain.
I am in the morning hush,
I am in the graceful rush
Of beautiful birds in circling flight,
I am the star shine of the night.
I am in the flowers that bloom,
I am in a quiet room.
I am in the birds that sing,
I am in each lovely thing.
Do not stand at my grave and cry,
I am not there. I do not die.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
There's room for Spike Lee's movies; there's room for Tyler Perry's movies. There's room for classics with an all black cast. There's room for all of it as long as we don't try to make any one piece define us as a race.
I have a dining room done in different shades of white, with white cushions embroidered in yellow silk: the effect is absolutely delightful and the room beautiful.
If I am to write, I must have a room to myself, which shall be my room.
I am a partisan for conversation. To make room for it, I see some first, deliberate steps. At home, we can create sacred spaces: the kitchen, the dining room. We can make our cars 'device-free zones.' We can demonstrate the value of conversation to our children. And we can do the same thing at work.
There are ghosts in the room. As I sit here alone, from the dark corners there They come out of the gloom, And they stand at my side and they lean on my chair.
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