A Quote by Michael Ondaatje

Politically I also don't believe anymore that we can only have one voice to a story, it's like having one radio station to represent a country. You want the politics of any complicated situation to be complicated in a book of fiction or nonfiction.
Politically I don't believe anymore that we can only have one voice to a story, it's like having one radio station to represent a country.
Well, I believe that life is very complicated. And in a way, the only way you can show life in a truthful way is to show how complicated it is as an individual, but also your relation between a complicated life and the complications you have inside you.
I believe strongly that characters are five-dimensional, and they're complicated, and life is complicated, and people are complicated.
Puerto Rico is complicated. The people are complicated. The history is complicated. The story of the United States' relationship to Puerto Rico is complicated.
[…] but I believe that things are extremely complicated, and her looking over me was as complicated as anything could ever be. But it was also incredibly simple.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
It's really nice to see that, looking at all sides of the abortion issue - from the person who doesn't want to have kids so they're going to have an abortion and that's not traumatic for them, to somebody who loses a wanted pregnancy, to somebody who has complicated feelings because of their religion. We can talk about all of those complicated and individual stories and not feel like there's any one abortion story that's right or wrong.
It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
But violence is news, to a certain extent, and people don't want complicated news. Because as soon as you realize things are complicated, your life becomes more complicated.
The situation in Iraq is dangerous but the regional situation is also very complicated and precarious.
Prose gets divided up into fiction and nonfiction and short fiction and long fiction and autobiographical nonfiction and so on. Poetry can do any of those things except with the added definition of intensified formal pressure.
Maybe from the outside, Belgium looks complicated to understand, but from the inside, actually, every country is complicated.
In science there is a dictum: don't add an experiment to an experiment. Don't make things unnecessarily complicated. In writing fiction, the more fantastic the tale, the plainer the prose should be. Don't ask your readers to admire your words when you want them to believe your story.
At least for me, writing a book is continual exposure to blind spots. There were things I wanted to be true and wanted to believe, but it always got more complicated in the fiction.
I realized the universe is 15 billion years old and unspeakably complicated. I still love the teachings of Christ, but I also believe that the human condition prevents us from having any true objective knowledge and understanding of the universe.
What I don't like is constructing a book that fits in with any kind of generic template, whether it's fiction or nonfiction.
This site uses cookies to ensure you get the best experience. More info...
Got it!