A Quote by Michael P. Anderson
Like most kids growing up, I had a very wide interest. I was interested in everything. I tried to take advantage of everything, from the sciences to music to writing to literature.
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I was always interested in creative writing growing up. From junior high on, I was writing short stories. I also grew up watching movies. My father would take me to everything. Most weeks, I could open the paper having seen every movie listed.
I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
I always feel like my writing is consistently influenced by everything I watched and listened to growing up, so it's just this crazy collage of everything, you know.
I had no interest in music. But now, music means everything to me. I have no words to explain how beautiful music is. It is where you can create everything, like beautiful songs to sad songs to almost anything.
Well before I was in a band, I wanted to be everything from a vet, an astronaut, an archeologist was a big one. It could be very wide-ranging because I had a lot of different interests including music so I'm very happy where I wound up.
When I was between seven and 13, I hated music. I wasn't interested in music at all. I'd tried to listen to it just because all my friends were getting into pop music and everything, and I remember I just wasn't interested at all. I liked drawing and science.
Ever since I was a kid, I've had an enormous interest in the sciences - everything from quantum physics to anthropology.
My writing is consistently influenced by everything I watched and listened to growing up, so it's just this crazy collage of everything.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
Be interested in everything. You don't have to adore it. I don't adore hip-hop, I don't think it's great music, but I'm interested, I listen. I watch a lot of new films, I see everything. I still read, I like books, whether they are old books, new books. I'm interested - you gotta stay interested!
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
I had the opportunity to go into the hospitals and talk to kids and see a kid and make him smile. Why? Because I'm a special person? No. It had nothing to do with that. It has everything to do with me being the quarterback at the University of Florida. And to not take advantage of that is a shame.
Perhaps the bands emerging nowadays don't have the right context around them to help them grow. We were born at the right moment where everything was happening. There was a great interest for rock en español and it was everywhere. The audience, labels and the media were all interested; everything was there. We wanted to present music that was very personal to us, and it continues being that way.
Spaceman 3 was one of my favorite bands growing up, and Jason Spaceman is someone I got along well with. I always felt his music was like narcotic gospel - there's something very moody and ethereal about it. Sun City Girls is the same, but different. To me, they're like the premier American avant music act. They're like the Marx brothers of music. I don't mean they're funny like that, but they turn everything on its head.
Slowly but surely I have been soaking Rilke up these last few months: the man, his work and his life. And that is probably the only right way with literature, with study, with people or with anything else: to let it all soak in, to let it all mature slowly inside you until it has become a part of yourself. That, too, is a growing process. Everything is a growing process. And in between, emotions and sensations that strike you like lightning. But still the most important thing is the organic process of growing.
My parents listened to music in our house all the time when we were growing up. It was everything from Dolly Parton to Paul Simon... We packed in everything.
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