A Quote by Michael P. Anderson
Fortunately, I got called down to NASA for an interview. And one thing led to the next, and one day I got that call. I've been here about seven years now and am really enjoying it.
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We've got to control our own energy. Now, not only oil and natural gas, which we've been investing in; but also, we've got to make sure we're building the energy source of the future, not just thinking about next year, but ten years from now, 20 years from now. That's why we've invested in solar and wind and biofuels, energy efficient cars.
Eventually I got the call for 'Iron Man,' and I read sides that had nothing to do with what I did in the movie, and I performed it once while no one was in the room - it was videotaped, and I'm sure Shane Black was watching it from his helicopter or something. And then I got a call the next day that I was going down to shoot it.
In high school, I got picked on. It's funny that I got tormented for what I'm doing now - the acting thing. People would see me in a Nickelodeon commercial, and I would hear about it the next day at school. Kids would say, 'Hi, TV Boy.' They heckled. I never got beat up.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
This has been a really interesting journey, the seven years I've been at NASA, and it's been a real exercise personally and professionally, but also spiritually.
But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
After earning my university degrees and working for a few years, I wrote to NASA to request an application package. Seven months later, after I applied, I received a call inviting me to Houston to interview. That itself was thrilling; it meant that I was one of the 100 or so who would be interviewed, chosen from several thousand applicants.
The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.
I think, fortunately and unfortunately, I've got a lot of experience in playing for teams that have been in this situation where we lost a few games and we've got to stay the course, we've got to right the ship, and we've got to do all of that stuff.
After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
...I'm thirteen years old, and I think I'm at the crossroads of my life. I've got to make good between now and the time I'm twenty, and I have only seven years to do it in. Besides, I'm the father of my family and I've got to earn all the money I can.
You've got to know what your 'thing' is, and you've got to call it a 'thing,' whether it's meanness, nastiness, un-forgiveness, arrogance, ego, resistance, rebelliousness or defiance. Everybody's got a 'thing,' and once you call your 'thing' a 'thing,' we can give it a place to be or dismiss it.
I don't mind anyone asking me any questions, I've got nothing to hide. I like it to be as real as it is; that's what I call an interview. I'm not someone who's like 'Right, you can't ask this, that, this, that, this, that.' It's got to be a real interview. I've literally got nothing to hide.
My wife and I have been together for 11 years, and seven of those married. We got married on 07/07/07. We support each other 150 percent. We have fun. We are a modern-day Sonny & Cher. I don't sing. My wife sings. We're so different, but so alike. We got that ying and yang thing going on. You see it, but you don't know how it works.
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
I did a series in Britain years ago called 'Skins,' and I remember my little sister telling me that I had a Wikipedia page that was talking about me. But then it got deleted because on Wikipedia anyone can write stuff, right? So I think that it got sabotaged. But this is years ago, so it got taken down. I don't think it exists anymore.
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