A Quote by Michael Palin

I'd got over playing a character. People accepted who I was, and if I was incompetent and useless, they felt quite endeared to me. — © Michael Palin
I'd got over playing a character. People accepted who I was, and if I was incompetent and useless, they felt quite endeared to me.
Until I really accepted this about myself and got over any of my own transphobia that I had, I really felt like I wouldn't be accepted. I thought I would ruin my life.
I love playing in Vegas because you've got people from all over the world, and you're already accepted. It's kind of a great mixture of people that come out to the shows, and that makes it fun.
I really felt good after working in a film like 'Piku,' as many people could relate to my character. I got letters from my fans telling me how my character resembles to their grandparents.
I think one of the things that really endeared me to people was that people got to view more aspects of my personality than most because of the different things that I did within WWE.
On 'Think Like a Man,' they got the best out of me because they allowed me to bring my own cadences and opinions to the character that I was playing. I think we got the best of that particular character.
In 'Kalank,' I am playing a character, which is quite strong, quiet a little complex yet interesting, that drew me towards the character when I heard the narration from director Abhishek Varman.
Being someone that grew up in a biracial household I never really felt accepted by black people when I was a little kid, I didn't feel fully accepted by black kids and I definitely didn't feel fully accepted by white kids cause I just felt like I could never be neither one.
I felt that if I'm serious about acting, I would like people to see me as an actress. It's less of a stretch if I'm singing, unless I'm playing a character who sings.
Hitchcock's got a very interesting voice; it's a very controlled, measured rhythm that's quite slow and, in that sense, also felt quite controlling in its pace. He retained something from his childhood, that London sound, as well as adopting some of the L.A. sounds... All of this helps you create the character.
I've said this before, but I've always felt more comfortable playing the guy who thinks he's the hot shot or thinks he's the greatest and is so far from it, you know? The misguided character. That's always more interesting to me - especially with a comedy. I've always felt inside more like a character actor.
I love the idea of playing a character that didn't over think everything. He knows what's in front of him and he has an ability to just say whatever he felt.
I’m quite flirtatious with anyone. Some people, because I’m playing a gay character, get quite nervous. And I have to reassure them. I’m like, ‘I’m not gay. I’m not coming on to you. Yet.’
If I am incompetent, I am useless, the people of India will see that.
It felt like love to me. It embraced me. I accepted it and thought, "Well, this is how [Dre] loves." I got that from my mother and from my grandmother, who were abused.
I felt frustrated by the limitations of rock and the lifestyle of touring around on a bus and playing the same songs over and over. So I went back to school to study music, and one of the things I got into was the Italian opera composer Puccini.
What it felt to me was like the dissolution of my idea of myself. I felt like separateness evaporated. I felt this tremendous sense of oneness. I'm quite an erratic thinker, quite an adrenalized person, but through meditation, I found this beautiful serenity and selfless connection. My tendency towards selfishness, I felt that kind of exposed as a superficial and pointless perspective to have. I felt very relaxed, a sense of oneness. I felt love.
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