A Quote by Michael Paterniti

I feel so disassociated from my writing - whether it's in book form or magazine - that I sometimes have a hard time believing that it's mine. — © Michael Paterniti
I feel so disassociated from my writing - whether it's in book form or magazine - that I sometimes have a hard time believing that it's mine.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
The act of writing means you wish to communicate. Whether you're writing a memoir for yourself you put in a drawer, or you write a poem and you send it to a little magazine, or you write for publication, it always means - the form follows function.
I've always wanted to have a book published - it was a dream of mine, but the thought of actually writing a book made me feel really sick.
Art was always my main focus; I fell into writing by accident in the 1980s, writing magazine articles to pay for my studio. I have to put myself into the position of writing; sometimes it doesn't work, and sometimes it works great.
So for a long time, I did a lot of freelance writing in addition to writing fiction and such - I was a food critic for a magazine for a bit, I did writing for nonprofits and political things, I was the editorial consultant for another magazine for a couple years, all sorts of jobs.
I feel much more comfortable in politics than I did in book writing. Book writing is so hard. Politics felt easy compared to that.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
I don't keep a diary or a journal. Sometimes I'll send emails to friends and that's a way of recording what I was thinking at any given time. But I've never been a journal keeper. I feel like part of that is because I'm always on deadline. I've been a freelancer my entire career and, at any given time, I have several deadlines for all sorts of things whether it's some magazine piece or ad copywriting or anything. Obviously, people with deadlines keep journals all the time but, for me, the idea of doing more writing is never appealing. It's why I never blog.
I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.
The magazine business is dying. It's a hard time for publishing. It does seem that everyone is much more opinionated now. I think there's probably more room for making opinionated illustrations. There was a time when Time magazine and Newsweek would have a realistic painted cover. A friend of mine used to do a lot of those paintings and he was told by the art director at one point, we are switching to photography. It seems that if someone saw a painting on a cover, it took a while to do, it must be old news. Photography became more immediate.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
I have a 6-year-old daughter, and we never look through magazines. But when we're on a plane, that's the one time we have screen-time and magazine-time sometimes. And I do not open a magazine with her without saying: 'Now remind me, are these real pictures?'
If I don't have time for the writing, it's because I'm not making that time. It's really just a question of whether you want to or not, whether you feel you deserve to write or not.
Writing a book is hard. It turns out, writing a second book is twice as hard.
In Los Angeles, sometimes it's hard to find a magazine stand, let alone one that has the magazine that you want. So I find that the longer I live in L.A., the more digitally I consume.
Sometimes people have a hard time believing that a company is intentionally trying to make itself smaller.
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