A Quote by Michael Patrick King

'Sex and The City' was made to correct the myth that if you were single at a certain age, you were a leper. Its four characters are heroes to a lot of women; they run around New York, or Gotham - but they have fancy shoes instead of capes.
I was obsessed with New York early on. I was watching sitcoms that were set in or around New York, like 'The Dick Van Dyke Show.' I was always very fascinated with the people who were on 'What's My Line?' and I always had an incredible obsession with the city.
New York makes me swoony and in love. The New York of the 1880s was a place where black eye fixers did a brisk business and people were routinely killed for their shoes. But, the constant aspiration of the city never changes.
I think when it comes to women who write or who fancy ourselves 'hip downtown literati', there is a certain contempt for being overly sexual or really looking for boyfriends. We tend to be marginalized as some 'Sex & The City' Carrie Bradshaw chick-lit dummies who just want shoes and a ring.
I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.
My heroes were people like Jim Jarmusch. Scorsese was my god. Spike Lee was exciting, doing exactly what we thought we were going to do: personal movies based in, and about, New York. My heroes were all participating in an economic model that was collapsing as I was finishing film school.
My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
Heroes didn't leap tall buildings or stop bullets with an outstretched hand; they didn't wear boots and capes. They bled, and they bruised, and their superpowers were as simple as listening, or loving. Heroes were ordinary people who knew that even if their own lives were impossibly knotted, they could untangle someone else's. And maybe that one act could lead someone to rescue you right back.
Not very long ago some one invented the assertion that there were only "Four Hundred" people in New York City who were really worth noticing. But a wiser man has arisen - the census taker - and his larger estimate of human interest has been preferred in marking out the field of these little stories of the "Four Million.
When I was very young, most of my childhood heroes wore capes, flew through the air, or picked up buildings with one arm. They were spectacular and got a lot of attention. But as I grew, my heroes changed, so that now I can honestly say that anyone who does anything to help a child is a hero to me.
We were in New York, and we were performing at a morning show. This fan literally ran from that studio in the middle of New York City to our airport, which was very far away. That fan ran all the way there to see us, and we were so in awe of that guy.
In the original 'Fable,' Albion was kind of run by heroes and heroes were the thing, and there weren't any lords or kings, there were just heroes, and greater and greater heroes.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
I always give respect to and pay homage to New York, because I don't feel like I would be the player that I am today if it wasn't for New York City. It gives you a certain edge, a certain toughness just growing up in the city.
If I wrote a play with four characters every single one of them would talk like me regardless of age or sex.
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