A Quote by Michael Patrick King

With a live audience, it's very clear when you've pushed it too far to the edge - because you fall off that edge and hit bottom with a thud. Nothing abstract about that. You know you went too far when you hear that groan or worse - that silence instead of the big laugh you were expecting following your hilariously edgy joke.
Come to the edge. We might fall. Come to the edge. It's too high! Come to the edge! And they came, and he pushed, and they flew.
You will always be too much of something for someone: too big, too loud, too soft, too edgy. If you round out your edges, you lose your edge. Apologize for mistakes. Apologize for unintentionally hurting someone - profusely. But don't apologize for being who you are.
Empathy took the edge off, and the truth is, we need our edge. Our edge is trying to speak to us, and we are too, too good at shutting it up.
The Edge...There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others-the living-are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there.
She always had that about her, that look of otherness, of eyes that see things much too far, and of thoughts that wander off the edge of the world.
I think present-day reason is an analogue of the flat earth of the medieval period. If you go too far beyond it you're presumed to fall off, into insanity. And people are very much afraid of that. I think this fear of insanity is comparable to the fear people once had of falling off the edge of the world. Or the fear of heretics. There's a very close analogue there.
I have nothing against Canada. I think that Canadians might know the secret to all existence, but to us it just comes off as timid and kind and too nice, and it strikes us as lacking edge. Unless you are hijacking someone and going on a reality show with your eight kids and wearing a velour pink pantsuit, then you have no edge to us.
In my life, I was always floating around the edge of the dark side and saying what if take it a little bit too far, and who says you have to stop there, and what's behind the next door. Maybe you gain a wisdom from examining those things. But after a while, you get too far down in the quicksand.
Come to the edge.' 'We can't. We're afraid.' 'Come to the edge.' 'We can't. We will fall!' 'Come to the edge.' And they came. And he pushed them. And they flew.
In my life, I was always floating around the edge of the dark side and saying what if take it a little bit too far, and who says you have to stop there, and whats behind the next door. Maybe you gain a wisdom from examining those things. But after a while, you get too far down in the quicksand.
Dear Angel Juan, You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went. Was the journey too far, Angel Juan? Did we go too far?
I feel that there is an alternate ending that leaps off too far into fantasy and there is an alternate ending that leaps off too far into pessimism, but that, in fact, the novel as it has developed should, if it's functioning correctly, have equipped you as the reader to make your own decision about where you want to go with that, about where you're going to fall on that continuum. So, the novel is taking you directly up to the point that you have to choose, and it's letting you do that.
The apartment was built at the edge of a high cliff so that when you looked out the back window it seemed as if you were twelve floors up instead of four. It was very much like living on the edge of the world - a last resting place before the final big drop.
It may sound surprising, but a joke and a crime novel work in very much the same way. The comedian/writer leads their audience along the garden path. The audience know what's coming, or at least they think they do until they get hit from a direction they were not expecting.
He who would not fall off the precipice must not venture too near the edge.
I told Ersken, "Lately it's been like living on the knife's edge, never knowing which side I'll fall off on" Ersken clapped me on the shoulder as we stepped into the street. "Cheer up, Beka. Maybe you were going to fall off that razor's edge before, but not today," he said, as good humored as always. "Today we're doing to jump.
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