A Quote by Michael Pena

There's something about coming up with something out of nothing. I work with somebody else's creation already, and I just try to make it better. — © Michael Pena
There's something about coming up with something out of nothing. I work with somebody else's creation already, and I just try to make it better.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
One of the best rules anybody can learn about investing is to do nothing, absolutely nothing, unless there is something to do. Most people – not that I’m better than most people – always have to be playing; they always have to be doing something. They make a big play and say, “Boy, am I smart, I just tripled my money.” Then they rush out and have to do something else with that money. They can’t just sit there and wait for something new to develop
When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
There's a lot of songs and songwriters out there - you have to make something stand out to pitch songs. Sometimes you have to be bold and just try something different. And just stick with it - don't give up if nothing happens.
The main thing I learned is that the more I can forget about being embarrassed when I make something, the more it is going to mean something to somebody else. I can't anticipate what it's going to be or how it's going to be perceived, so the quicker I let go of something I make, the better.
You have to be true, you have to be honest.. Don't do anything, just figure out what it is that is true to you, what makes you happiest to do and be out there. And if it doesn't work, then you just have to call it a day and go find something else. But don't make it up. Don't go out there and pretend to be something you aren't.
It's not nuclear physics. You always remember that. But if you write about sports long enough, you're constantly coming back to the point that something buoys people; something makes you feel better for having been there. Something of value is at work there...Something is hallowed here. I think that something is excellence.
Where does Terry live? Somewhere deep inside. So I just let that come out and try to make something out of it without worrying about techniques or rules or any of that stuff. Just do it, you know. As long as it doesn't burn or get deleted, you know, then somebody will find it someday and I will have left something that I think is beautiful.
The only way of making money is for effort. The only time I've ever lost money is when I've purposely said, "I'm doing this to make money." And I've actually on three occasions lost significant sums. I have made wealth when I've actually made a contribution to something, when I've done something I thought I could do better than somebody else or have done something better than somebody else does it.
When somebody does something which everybody really wants to do, then it makes everyone else try a little bit harder and strive for something better, and it's good.
Whereas if you were writing an op-ed piece or an essay, somebody would be asking, "What's your point?" With poetry you can stay in a moment for as long as you want. Poetry is about metaphor, about a thing standing in for something else. It's the thing that opens out to something else. What that something else is changes for readers. So what's on the page - it falls away.
All the best ideas come out of the process; they come out of the work itself. Things occur to you.If you're sitting around trying to dream up a great idea, you can sit there a long time before anything happens.But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction.
Why antagonize somebody for no reason? Why try to garner attention by doing something negative? Why not do something positive on your own merits, instead of somebody else, whether it's to try to antagonize them or draw their ire, or even to have them help you out.
If it feels good coming out, then I really don't care about anything else, for real. It's all about just having fun with it. If it feels like less work, then the project is coming out better.
I take something that happened to me in 1983, and I make it happen to somebody else in 1943. I pick my life apart that way, try to understand it better by writing straight through it.
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