A Quote by Michael Pena
When you finish a drama, you go, 'I can't wait to do a comedy.' When you finish a comedy, you go, 'I want to do a dramedy, dark humor.'
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I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
In comedy, you have to do all of the same stuff you do in drama and then put the comedy on top of it. You, the actor, are aware of the comedy but the character is oblivious. And you have to have a sense of humor.
People seem to want to give 'Flowers' a comedy or a comedy-drama label. I suppose it's closer to comedy-drama, but it feels like it requires a whole new definition all of its own.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
I'd love to do a project that falls between drama and comedy - a dramedy with hilarious moments.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
More than just romantic comedy, I like romances: drama romance, romance comedy, comedy romance. I also go to the movies to escape. There are times when you go to learn, when you go to be moved, you go to be transported, and there are really times when you go to escape. And I personally escape more happily into a romance than I do violent movies.
Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
There's a certain rhythm to comedy that is almost like you're dancing and you just go on autopilot, so to speak. There's something just beautifully enjoyable about comedy in that respect. It's a joy to be able to do that. Drama, you get to go to depths that you haven't gone to before.
Learn a lot about the world and finish things, even if it is just a short story. Finish it before you start something else. Finish it before you start rewriting it. That's really important.
It's to find out if you're going to be a writer or not, because that's one of the most important lessons.
Most, maybe 90% of people, will start writing and never finish what they started. If you want to be a writer that's the hardest and most important lesson: Finish it. Then go back to fix it.
There are people that have only seen me in dramatic stuff and they go, "Oh, I didn't know you could do comedy," and then there are comedy people that go, "Oh, I didn't know you could do drama." I want to try to do both.
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