A Quote by Michael Phelps
There were times I wouldn't come to practice, because it didn't excite me. It wasn't interesting. I was kind of going through the motions.
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Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries.
I used to come to practice and go through the motions. I don't do that anymore. I look forward to practices. I even enjoy the windsprints.
It is indeed a matter of great difficulty to discover, and effectually to distinguish, the true motions of particular bodies from the apparent; because the parts of that immovable space, in which those motions are performed, do by no means come under the observation of our senses. Yet the thing is not altogether desperate; for we have some arguments to guide us, partly from the apparent motions, which are the differences of the true motions; partly from the forces, which are the causes and effects of the true motions.
Post 10th grade, I came to the northern half of the country. I realized that the usual education did not excite me at all because I felt how will understanding trajectory motions in chemistry help me solve real-life problems?
Obviously there are times with acting when exactly what is required is just going through the motions, and when doing nothing is the best thing. But at other times, you have to make that leap beyond the immediate environment of people putting up lights on the set.
I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
There were times when I was working three jobs at one time, and I was still auditioning just to make ends meet, and I was hoping that something was going to come through. Especially after you have two degrees, standing solid through the process is sometimes the hardest part because there is no guarantee.
I don't wanna go throught the motions
I don't wanna go one more day
Without your all-consuming
Passion inside of me
I don't wanna spend my whole life asking
What if I had given everything?
Instead of going through the motions.
If you're going to write about something it becomes a damn sight more interesting than if you're not going to write about it, because you engage with it actively in a way that you wouldn't if you were just passing through or if you were going to St Helens to visit family or if it was a place that made you resentful because you'd always wanted to escape from there.
Life is full of what-ifs. You can’t let it hold you back. If you do, you’re not really living at all… just kind of going through the motions with no meaning
Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.
What gets me upset about with the newer players is their lack of intensity. They tend to go through the motions a little bit. They don't understand that you've got to practice the way you play.
I just bring energy, try to put myself in a good mood, because you're not going to get through practice if you're drowsy, don't feel like doing nothing. Then it's going to be a long practice and coach is going to be all over you.
I don't want people to remember me going through the motions.
I tend to work most often from the method of ignoring any ritualistic writing for long periods of time, and then I'll spend three straight weeks writing for 12 hours a day and just going through the motions with my worldly business because the compulsion to write descends upon me like a kind of madness. I don't mean to be dramatic, but it feels that way when it strikes.
It feels like a lot of times when I'm watching people perform, they're just going through the motions and checking boxes. Costume - good, hair - good, make-up - good, death drop - good; it's like they're just going through a checklist of what makes a 'good performance' but it's not entertaining, it's very disposable.
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