A Quote by Michael Phelps
For so long, I looked at myself as literally a kid who was talented who would go up and down the pool. That's it. Nothing else. Very few people knew who I really was.
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Oftentimes, even as a little kid, I would get up before anyone else. My brother would still be sleeping, my mom would still be sleeping, so I would literally play 'Monopoly' by myself. I would play board games; I would do things by myself.
I do identify with Olympic athletes quite a lot because they have to push to reach a certain plateau and some of them go on and some of them give up and some art - you know, some people are very talented in art and do a few amazing things and then give it up and go on and do other things, and others are in it for the long haul, more or less long-distance runners.
Schools are really, really important. It gives you access to every kid in the country. It gives you a massive pool of people to see who might be talented at different sports. It allows kids to try sports. Kids can be inspired all they want, but if they can't go out and try a sport, then it's no good.
She looked so beautiful in the moonlight, but it wasn't only the way she looked, it was what was inside her, everything from her intelligence and courage to her wit, and the special smile she gave only to him. He would slay a dragon, if there were such a thing, just to see that smile. He knew he would never want anyone else for as long as he lived. He would rather spend the rest of his life alone than with someone else. There could be no one else.
When people didn't really know who I was, and I would get on stage, they would be distracted by what I looked like, so I would have to dumb myself down, in a way, for people to feel safe to laugh.
I'm not going to say that the other people I worked with weren't artist. They were all very great, very talented people, but I think Guillermo [del Toro] will go down in cinematic history as one of our more talented, visually brilliant directors.
But after a few minutes of convincing myself that I really wanted to go - telling myself that I love skating and that my coach is there waiting for me - I would get up and go. And my mother would always get up and eat breakfast with me!
I wanted to go where the people work hard, throw down, and really needed the party... Saginaw is all that and then some. I looked in those faces - and I knew, these people mean business.
I wrote on the Grammys, and a few times for Garry Shandling when he was hosting. I couldn't have enjoyed those gigs more, because I would get to collaborate and try to make people I looked up to laugh, but for the most part, when you're as talented as they are, what they really want is someone who can type fast and whose presence makes them feel in the mood to write and spew and be creative, and I was a good person to have in the room.
I knew when I was 6. I just knew it; I didn't care about nothing else. If I didn't make it in this world, I would probably be homeless. I gave myself that little to fall back on.
As a kid, I was scared of losing my mind. In Terrell, Texas, where I grew up, there was a guy that would walk down the street talking to himself. And I used to watch him and feel uneasy. And there was a sanitarium where people would say, 'That's where all the crazy people go.' It really sort of frightened me.
As a kid growing up, I really hated being alone. I was always that kid that was like, 'Do you want to hang out? Let's go to the mall. Let's go to the movies. Let's go to the park.' I would call people and call people and call people. If I was alone when I wasn't at school, then there was something wrong.
I knew the profanity used up and down my street would not go over the air... So I trained myself to say 'Holy Cow' instead.
Long John would sometimes hold his interviews in the Carnegie Delicatessen, which is the most famous delicatessen in New York up by Carnegie. Let's see, 57th Street, you're down to like 50th Street and 7th Avenue... You'd go in there and everybody would be eating a heart attack on a plate, pastrami, malts, that kind of stuff. But it literally was the place where Woody Allen would go.
I looked at people like Lil Wayne. I would go to the studio and I would observe Wayne, and I would literally pray. I would say 'God, give me his work ethic'.
It felt as if my body was, like, literally betraying me because I went from a very athletic, straight-up-and-down little kid to a very curvaceous woman, and it was just horrifying to me.
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