A Quote by Michael Pitt
There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.
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If enough money is involved and enough people believe that two plus two equals five the media will report the story with a straight face always adding a qualifying paragraph noting that mathematicians however say that two plus two still equals four.
Presently, my understanding of the fundamental principles of the theory of high-intensity training is thorough and complete - not two plus two equals three-and-a-half, but two plus two equals four! Heretofore, I would only occasionally have clients gain 10 to 20 pounds in a month or 30 to 40 pounds in three to four months. Now such is no longer the exception , but the rule!
When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.
When I see two owls and then two more owls and conclude that I see four owls, I am responding to reasons, and it better not be my choice to believe that two plus two always equals four. If I am a rational person, I will have that belief by necessity, whether I wanted to or not. So it's not that strange to discuss responding to reasons out of necessity.
For me, singing was real life, not two plus two equals four.
You want the truth, of course. You want me to put two and two together. But two and two doesn’t necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labeled bones.
[I am fascinated by stupidity] because normal intelligence is boring. Two plus two makes four - finished. You have no possibilities! Stupidity is infinite. Two plus two can make billions of different numbers.
there's two kinds of folk in the world, just like there's two kinds of life in a seed. Something sends one kind up to hunt its food in the light and air, and sends the other kind down into the earth to make the roots.
Football is not played on paper, it is played on a pitch. This game is not mathematics and in football, two plus two very rarely equals four - it's usually three or five.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
Some things you just can't question. Like you can't question why two plus two is four. So don't question it, don't try to look it up. I don't know who made it, all I know is it was put in my head that two plus two is four. So certain things happen. Why does it rain? Why am I so sexy? I don't know.
I want to represent possibilities. I want to represent magic, right, that you're in a universe, and two plus two equals four.
Two times two is twenty-two, four times four is forty-four. When numbers get serious, they leave a mark on your door.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
Chemistry is a class you take in high school or college, where you figure out two plus two is 10, or something.
I don't know what to expect out of my films. My first two films were with extremely talented directors, and they didn't work. And my next two films were with newcomers, and they worked well. So I've stopped expecting anything from my movies.
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