A Quote by Michael Pitt
There's something very, very powerful about having a life mate that you are attracted to but then can also have a beer with.
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I used to feel more straight for certain months and then just think about boys all the time I'm attracted to women who are very, very boyish. I'm not very big on big mammaries. I have a tendency to be attracted to very, very boyish girls. And usually very feminine men.
There is a masculinity in riot grrrl music, which is probably why I don't identify with it, but also why it was so important and powerful. That is something our scene has - regardless of who is in it, it has this very powerful feminine energy, like a Nefertiti head bust or Storm from X-Men. It's a woman you see as very powerful, sassy, arrogant, and dark.
I think what we're attracted to on the page is something that is very difficult to do in life, which is to examine in what seems like a moment. To examine what we can't do in life very well, which is to be as present and accountable to what an experience is. That's why life is short and art is very long.
I think coming off of "Blame", I've been talking a lot about directing. It's something that I really love and connect with. I truly consider it what I was born to do. That kind of loops in with filmmaking on the whole, because when you create something, you're also wearing a lot more hats than just director. At the same time, I also think acting is something that's very powerful in my life.
I think that all the powerful religions are pretty much the same. People like to pretend they are very different, but they are not. They are really about believing in something bigger than yourself, something that's unseen, and about having some faith.
My family endured a big crisis after my father's business went bankrupt and we went from having a comfortable life to having virtually nothing. I saw from that moment how fragile and precarious life can be and you have to work very hard not just to survive but also to accomplish something in life and fulfill your dreams.
When I speak about 'we,' it gets very complex very quickly. Having grown up in the United States, but also being very much a member of Nigerian societies and also different parts of Nigerian societies, I understand that we construct particular 'we's.'
We're not trying to form a new religion. I think that all the powerful religions are pretty much the same. People like to pretend they are very different, but they are not. They are really about believing in something bigger than yourself, something that's unseen, and about having some faith. That's not such a bad thing to have in the world.
I'm very attracted to schematic structures. My brother is a chemical engineer, he has a very mathematical mind, and he's also a visual artist. I think we have a lot in common. And my first film had a very tight structure, narratively.
That's what people forget about, is that when things are very, very powerful in a sad way, they have that possibility of also being over-the-top, hysterically funny.
There's obviously something that feels very good about being with a new filmmaker who's very excited, but I also think there's something very comforting in a director who's been around a few times. Both have their pros and cons.
That's what I find so special: when you actually imagine something. But really, when it comes to you in a dream, and then you can bring it to life on the screen, it's very powerful.
I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.
One respect in which I'm very much my father's son is how I feel about Joyce. 'Ulysses' is very much about daily life, when you get into this other guy's life and you learn about the things he cares about, and why he cares about them. And then, very indirectly, very subtly, you learn why politics has impacted his life, too.
I'm very excited about some of the novels that I have adapted. I think they're equally as powerful, if not more. Going After Cacciato (by Tim O'Brien) is something I'm very passionate about.
I think, by nature you know, I'm very attracted and I gravitate toward the very strong girl who can watch a ballgame, but who's also extremely feminine.
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