A Quote by Michael Pollan
You want to say the thing that will drive everybody in the direction you want to go. But as a writer you have a pact with your readers that you'll be really straight with them at all times.
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When you do comedy, the audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say. Sometimes you're not getting the laughs you want or at the place you want but that doesn't mean it's not funny. It means you haven't explored it enough. I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
I started as a straight actor. I'd go onstage, and I'd think, 'Wow, this is the only thing I want to work really hard at. I will rehearse fifty times on a single scene; I don't care - I'll do it again.'
The nations of the Middle East will have to decide what kind of future they want for themselves for their country and, frankly, for their families and for their children. It's a choice between two futures, and it is a choice America cannot make for you. A better future is only possible if your nations drive out the terrorists and drive out the extremists. Drive them out. Drive them out of your places of worship. Drive them out of your communities. Drive them out of your Holy Land. And drive them out of this earth.
Cookbooks hit you where you live. You want comfort; you want security; you want food; you want to not be hungry and not only do you want those basic things fixed, you want it done in a really nice, gentle way that makes you feel loved. That's a big desire, and cookbooks say to the person reading them, 'If you will read me, you will be able to do this for yourself and for others. You will make everybody feel better.'
The moment where you know the thing you want is ridiculous and pompous and a terrible thing to want anyway. The direction in which you're headed is not the direction you want to go, yet you're going to head that way a while longer cause that's just the kind of person you are.
Only a very specific kind of writer keeps their reader in mind while working. Such writers don't want to irk their readers; they don't want to challenge their readers; they want to produce exactly what their reader expects them to produce. I'm not like that.
The thing about acting is you don't want to let on how enjoyable it is or then everybody would want to become an actress. But it really is. It's a pleasure to go and exchange your identity.
You must have some vision for your life. Even if you don't know the plan, you have to have a direction in which you choose to go... You want to be in the driver's seat of your own life because if you are not, life will drive you.
One thing you really have to watch as a writer is getting on a soapbox or pulpit about anything. You don't want to alienate readers.
Being a creative person is a really personal process so there is no one-size-fits-all advice, that's kind of the first thing I'd say. Because everybody's goals are different. Everybody's talents are different. Some women that I'm talking to want to create a television show. Some women want to be a director. They want to use comedy in different ways, and I find that really fascinating. The main thing I would say is, start! Just do it. Keep going. When people come at you with the negativity and the nos, you've got to ignore it. Push through.
The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.
I doubt that VR will really replace the quality of books. If you want to go into let's say the Prado in Madrid and you want to go into Hieronymus Bosch or whatever, you'd rather go into books and you take your time and it's sitting there all day long and you go back and revisit it and it becomes part of your physical life.
I never want kids to walk away after a school presentation and say, 'I met a writer today.' I want them to say, 'I am a writer.'
You want to take yourself seriously, and you want to make something that you hope will have resonance with the audience. You want to bring your perspective and what you consider your talent to that piece of work, and you move forward in that direction. Sometimes that's easy, and sometimes it's met with resistance because you're dealing with situations where, for everybody else, it's a piece of business.
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
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