A Quote by Michael Pollan

There's been progress toward seeing that nature and culture are not opposing terms, and that wilderness is not the only kind of landscape for environmentalists to concern themselves with.
Antarctic symphony has a geometric relationship to the landscape. It's saying that this landscape and the minimal kind of, you know I'm talking like seeing ice, is visually kind of eerily minimal.
Are we, finally, speaking of nature or culture when we speak of a rose (nature), that has been bred (culture) so that its blossoms (nature) make men imagine (culture) the sex of women (nature)? It may be this sort of confusion that we need more of.
The Muslims refuse our culture and try to impose their culture on us. I reject them, and this is not only my duty toward my culture-it is toward my values, my principles, my civilization.
Do environmentalists really believe that green progress means looking out at America's majestic mountains, forests, green oceans, wilderness areas and deserts and viewing miles upon miles of nothing but windmills and solar paneling?
It is just man's turning away from instinct--his opposing himself to instinct--that creates consciousness. Instinct is nature andseeks to perpetuate nature; while consciousness can only seek culture or its denial.
To be in the woods is a special thing. And also just the concept of wilderness as a necessary opposite in a kind of global dialectic. I want there to be wilderness where there are no humans in a world like this. So nature is super important.
In our traditional culture, people have a very different view towards nature than in Western culture. We consider humans as part of nature. But in the West, they talk about protecting nature. That's a joke because nature doesn't care; it's humans who need to protect themselves.
That is how life goes--we send our children into the wilderness. Some of them on the day they are born, it seems, for all the help we can give them. Some of them seem to be a kind of wilderness unto themselves. But there must be angels there, too, and springs of water. Even that wilderness, the very habitation of jackals, is the Lord's.
At one with the power of the American landscape, and renowned for the patient skill and timeless beauty of his work, photographer Ansel Adams has been visionary in his efforts to preserve this country's wild and scenic areas, both in film and on Earth. Drawn to the beauty of nature's monuments, he is regarded by environmentalists as a monument himself, and by photographers as a national institution. It is through his foresight and fortitude that so much of America has been saved for future Americans.
Madam Speaker, I have spent more than half my life as a member of the Resources Committee. In that time I have supported numerous wilderness designations. In fact, I cannot recall ever opposing a wilderness bill.
Recreation is not a secondary concern for a democracy. It is a primary concern, for the kind of recreation a people make for themselves determines the kind of people they become and the kind of society they build.
An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.
In my opinion, it would be a lot better for the culture - meaning the culture of America - if there was more diversity in terms of storyline. In terms of the kind of content that you see about Americans of African descent on the screen.
We are not talking about esthetics. We are talking about life: survival of Man. We must train young people to get another vision of Nature. We call it 'wilderness,' and we think it is progress to get further and further away from it. How crazy! Where would we have been if Nature had not built us up?
Culture defines who we are and how we see ourselves. A new attitude toward nature provides space for a new attitude toward culture and the role it plays in sustainable development
If you look at landscape in historical terms, you realize that most of the time we have been on Earth as a species, what has fallen on our retina is landscape, not images of buildings and cars and street lights.
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